Sheep Cults and Ancient Mazes… The Rock Art of Three Rivers

Petroglyph maze at Three Rivers Petroglyph site.

Set off by distant mountains, this petroglyph appears to be a maze.

It is fun to speculate on what petroglyphs mean. It can also be frustrating. What was the artist thinking when he created the above glyph? “This will make a nice blanket design.” Or how about, “Here is the path our ancestors followed to get out of the underworld.” Or, “Here’s a fun maze.” Or, “Like wow, that Datura is some serious dope.

The petroglyph is definitely a maze; follow the lines. Beyond this, speculation becomes iffy. The book by Alex Peterson, A Field Guide to Rock Symbols of the Greater Southwest, attempts to interpret the meaning of various petroglyphs. I’ve used him extensively. But Patterson provides a cover-all-contingencies disclaimer in the beginning of his book, “There is no proof that any of these meanings are correct.

For example, join Peggy in checking out the rock art below. It’s obviously an anthropomorph (human-like), given that it standing upright and has a head. The robe has various patterns or symbols on it and a fringe at the bottom. Patterson notes that similar characters appear again and again in rock art, that “they almost certainly represent the costumed principals of the sheep cult and may have been shamans.” Sheep cults and shamans– sounds intriguing, doesn’t it.

Peggy Mekemson checks out a petroglyph at Three Rivers Petroglyph site in southern New Mexico.

We often find petroglyphs carved on difficult to reach places. If it is difficult for us, imagine what it must have been like for the rock artist.

At least Peggy is looking at a human-like figure. So far in my blog, I have featured identifiable subjects including people, animals, birds, reptiles, insects and one splattered frog. Today I am going to present geometric figures. Patterson has interpretations for many of these symbols, but what about the petroglyph featured below? All I can think of is, “Okay, children, today you are going to practice making squares.”

Petroglyph of squares at Three Rivers Petroglyph site in southern New Mexico.

Plans for a subdivision?

One of the most common geometric symbols is the circle. There are circles within circles, crosses in circles, circles made of dots surrounding other circles, etc. Naturally the sun and the moon come to mind. Also ripples on water. Once again, Patterson suggests Datura may be involved. It seems that people have similar visions when they close their eyes while under the influence. Wouldn’t know.

Solid circles surrounded by a circle with dots at Three Rivers Petroglyph site. Possibly influenced by Datura use.

Almost everywhere we looked at Three Rivers Petroglyph site we found circles. Many had outer circles made up of dots.

Petroglyph circle with cross found at Three Rivers Petroglyph site.

A number of the circle also feature crosses of various types. This was one of the more intriguing.

Circle petroglyph with possible sun at Three Rivers Petroglyph site.

I also found this interesting. My first thought is the sun.

Large spiral circle at Three Rivers Petroglyph site in New Mexico.

This is the most impressive circle petroglyph Peggy and I found at Three Rivers. It is actually a spiral. Start at the center and work outward. Which brings me to…

Spiral petroglyph at Three Rivers Petroglyph site.

… this spiral, which led me to think a bout a spiral galaxy. Could the Jornada have been in contact with little green men from outer space. Naw…….

Petroglyph found at Three Rivers petroglyph site in southern New Mexico.

Various interpretations. One is about a four eyed insect standing manlike who is bitten on the testicles by a sidewinder rattlesnake, a fate which would make any guy’s eyes go buggy.

Some of the geometric patterns may be pottery or textile designs. Modern shops through out the South West feature pottery, blankets and other items made by Native Americans featuring similar motifs.

Geometric petroglyph found at Three Rivers Petroglyph site in southern New Mexico.

This repetition of pattern suggests a design that might be used for a blanket.

 

Geometric petroglyph at Three Rivers Petroglyph site.

Here’s another. This petroglyph might represent a butterfly.

Finally, we have petroglyphs that are almost map-like, featuring lakes, rivers, springs, hills and even farmlands.

Petroglyph found at Three Rivers Petroglyph site in New Mexico.

Who knows? Climb down the ladder to the crops at the bottom? (grin) Could the foot print on the right be saying “Walk this way?”

Three Rivers Petroglyph site rock art.

On of my favorites at Three Rivers. Peterson says the wavy lines represent water but what’s with the square eyes.

Horse petroglyph at Three Rivers Petroglyph site.

This captures it all: a cute horse with extended tail and big feet, Datura driven circles, and a simple pattern of squares. There is even a snake in the grass. Maybe that accounts for the horse’s stance.

NEXT BLOG: I will finish off the series on Three Rivers Petroglyph site with several collages of rock art. Petroglyphs are rarely found alone.

 

Pretty Weird Stuff… Three Rivers Petroglyph Site

Butterfly petroglyph at Three Rivers Petroglyph site.

A lot of the rock art at the Three Rivers Petroglyph site is simply fun, such as this butterfly.

Is there a whale among the Three River petroglyphs? How about a ship? Or an octopus? The fish isn’t so strange, nor are the buggy bugs. But how did the ocean life end up in the middle of the Chihuahuan Desert? Maybe I am simply suffering from an overactive imagination brought on by staring at thousands of petroglyphs. I can guarantee I haven’t been imbibing in the Datura used by Shaman to create altered states. That stuff is dangerous. (Actually, it can be deadly.) The residents of Jamestown once fed it to British soldiers in 1676 and knocked them out of commission for 11 days. Afterwards, the plant was named Jimson Weed, after Jamestown.

Possible whale petroglyph at the Three Rivers Petroglyph site.

It looks like a whale to me… or at least a whale of a fish.

Octopus petroglyph at Three Rivers Petroglyph site.

And what’s with this octopus. Did the Jornada people travel to the ocean?

Ship petroglyph at Three Rivers Petroglyph site.

I guess if you have a whale and an octopus, it is only natural to have a ship with sails. Check out the guy jumping around in the back.

Possible seal petroglyph at Three Rivers Petroglyph site.

This looks suspiciously like a seal, minus the hind legs.

Fish petroglyph at Three Rivers Petroglyph site in southern New Mexico.

Okay, I’ll buy a fish petroglyph. Not sure about the circle. Maybe the fish is being served up on a platter.

Datura, also known as Jimson Weed

Datura, a beautiful but dangerous plant. I took this photo on the American River Parkway in Sacramento.

Buggy eyed petroglyph at Three Rivers Petroglyph site.

What you might run into after consuming a few too many Datura seeds.

Arrow petroglyphs at Three Rivers Petroglyph site.

Or possibly you might meet a pair of arrows with attitude.

NEXT BLOG: Snakes, lizards and a few more bugs.

 

 

 

Thunderbird and Eagle Rule the Skies… Three Rivers Petroglyph Site

Close up of Bald Eagle

One look at this magnificent bird I photographed two weeks ago tells the story of why the eagle was regarded as sacred by Native Americans. This eagle is located at a wildlife sanctuary close to my home in southern Oregon. It was named Jefferson until it laid an egg. Now she is called Mrs. Jefferson.

Eagle petroglyph at Three Rivers Petroglyph site in southern New Mexico.

I think that the bird petroglyph on the left that Peggy and I found at Three Rivers is immediately recognizable as an eagle.

The mighty eagle may have ruled the skies of southern New Mexico but it was the Thunderbird that ruled the heavens. A flap of its wings would gather clouds and send thunder bouncing off the far mountains. Lightning would shoot out of its eyes. The Thunderbird existed in numerous Native American and First Nation cultures.Peggy and I have found images  from New Mexico to Alaska.

Thunderbird petroglyphs at Three Rivers Petroglyph site in southern New Mexico.

A pair of Thunderbirds decorate a rock at Three Rivers. Compare it with the First Nation totem pole below that Peggy and I photographed on Vancouver Island in Canada.

Totem pole Thunderbird on Vancouver Island

A First Nation totem pole Thunderbird Peggy and I found on Vancouver Island.

Petroglyph of a Thunderbird at Three Rivers Petroglyph site in southern New Mexico.

I find this petroglyph of what I assume is a Thunderbird both strange and powerful.

Another version of a Thunderbird found at Three Rivers Petroglyph site.

Another version of a Thunderbird found at Three Rivers Petroglyph site.

Turkeys, roadrunners, and even ducks can also be found among the petroglyphs of the Three Rivers Petroglyph site.

Petroglyph of roadrunner and snake at Three Rivers petroglyph site in southern New Mexico.

A roadrunner and its dinner. This Three Rivers petroglyph shows a roadrunner with one of its favorite meals, a snake.

Possible bird head petroglyph at the Three Rivers Petroglyph site.

Is this a petroglyph of a bird’s head with its beak stretching out to the left? If so, it must be another work of the Rembrandt of the Jornada.

Goose petroglyph at Three Rivers Petroglyph site in southern New Mexico.

This petroglyph strikes me as either a duck or goose. Note how the artist has taken advantage of the contour of the rock.

Turkey petroglyph at Three Rivers Petroglyph site.

A quickly pecked turkey?

Wild turkey on Upper Applegate River in southern Oregon

A backyard turkey. I caught this guy strutting his stuff to impress several hens who had gathered in our back yard. They ignored him.

Strange petroglyph from Three Rivers Petroglyph site in Southern New Mexico.

A really weird turkey? The head seems right but the clawed hands are something else. If this is a turkey, he has passed into the realms of the gods. On the other hand, if you have ever had a turkey attack you, as I did when photographing its chicks, this is a close approximation.

NEXT BLOG: What is a whale petroglyph doing in the desert?

Big Horns and Sharp Claws… Animal Petroglyphs at Three Rivers

Bighorn sheep petroglyph with arrows at Three Rivers Petroglyph site in southern New Mexico.

Bighorn sheep were a major source of food for the Jornada Mogollon people of New Mexico and for Native Americans throughout the South West. Animals are often found with arrows sticking out.

Hunting wild animals for meat provided an essential source of food for the majority of mankind’s existence. While the Jornada Mogollon people at the Three Rivers’ Petroglyph site cultivated corn, hunting remained a vital activity.

Success meant learning as much as they could about the animals that inhabited their desert world: where they lived, what they ate, where they drank, and what trails they used were all important.  The Jornada were excellent trackers, able to read in a few scuffed tracks the story of who had wandered down a trail and what they were doing.

Petroglyph bear track at Thrre Rivers Petroglyph site in southern New Mexico.

A number of petroglyph tracks are found at the Three Rivers site. This big fellow is a bear.

Human foot print found at Three Rivers Petroglyph site in Southern New Mexico.

A human footprint for comparison. Human hand and foot print petroglyphs are relatively common.

Possible petroglyph of cougar print with claws extended at Three Rivers Petroglyph site.

I am not sure what these wicked claws belonged to but possibly it was a cougar with its claws extended.

There was a close, almost sacred, relationship between the hunter and the hunted. Clans assumed animal names and young people went on vision quests to discover which animal might serve as personal guides. Shaman put on animal cloaks and assumed animal personalities. The gods and the spirits of animals were both honored. (It helped assure they would be around at dinner time.)

Some animals were more important than others. Bighorn sheep were a primary food source throughout the South West. Cougars and bears were large predators demanding respect.  The arrival of Spaniards in the 1500s meant the arrival of horses.

Not surprisingly, the petroglyphs found at Three Rivers reflect the importance of the various animals in the life of the Jornada. We discovered numerous bighorn sheep and an unexpected number of cougars. There were also horses, rabbits and coyotes. Horses provided a radical new form of transportation; coyotes were known for their trickery; and rabbits provided an easy food supply.

I took this photo of a bighorn sheep near Lake Mead in southern Nevada. He had come down from the mountains to take advantage of the green grass of a small park.

I took this photo of a bighorn sheep near Lake Mead in southern Nevada. He had come down from the mountains to take advantage of the green grass of a small park. His arch rival was his reflection in an aluminum garage door. The owner had a hard time convincing the insurance agent that his door had been smashed in by the enraged animal.

Bighorn sheep petroglyph founf at Three Rivers Petroglyph site in southern New Mexico.

Similar horns are displayed on this Three Rivers Petroglyph. Note: It is not unusual to find geometric designs incorporated into animal petroglyphs.

Bighorn sheep petroglyph at Three Rivers Petroglyph site in southern New Mexico.

I thought this bighorn sheep petroglyph at Three Rivers was a sophisticated work of art. Did the Jornada have their Rembrandts?

Mountain lion photo

Peggy and I took our grandkids to a wildlife sanctuary last week and found this curious mountain lion that sniffed our five-year old. Nice kitty.

Mountain lion petroglyph found at Three Rivers Petroglyph site in southern New Mexico.

Peggy and I found a number of mountain lion petroglyphs at Three Rivers, which suggested that the cougar played an important role in the lives of the Jornada people.

Another mountain lion petroglyph. As to why the big cats have there tail extended over their backs, I don't have a clue. Any ideas?

Another mountain lion petroglyph. As to why the big cats have their tails extended over their backs, I don’t have a clue. Any ideas?

I used this petroglyph in my last blog. This photo provides an interesting view of the whole rock and the other petroglyphs.

I used this petroglyph in my last blog. This photo provides an interesting view of the whole rock.

Photo of Coyote in Death Valley near Scotty's Castle.

Coyote played an important role in Native American mythology as a Trickster. I took this photo in Death Valley.

Petroglyph of coyote howling at the moon found in the Three Rivers Petroglyph site.

While this petroglyph wasn’t as clear as many we found at Three Rivers, I am including it because the coyote is howling at the moon. Every gift shop in the South West will sell at least one item with a coyote howling at the moon.

The Spanish introduced the modern horse into North America six centuries ago, an act which had a major impact on the culture of Native Americans. I've been waiting for six months to reintroduce this Scotland pony into my blog.

The Spanish introduced the modern horse into North America six centuries ago, an act which had a major impact on the culture of Native Americans. I’ve been waiting for six months to reintroduce this Scotland pony into my blog. I snapped its picture two years ago when it ran up to greet me in the Scottish lowlands.

Horse petroglyph from Three Rivers Petroglyph site in southern New Mexico.

We found three horse petroglyphs that seemed to have a blanket with geometric designs draped over their bodies.

Rabbit petroglyph at Three Rivers Petroglyph site in southern New Mexico

I’ll conclude with what I felt was a good representation of a jack rabbit… until I noticed the possible tail arching over its back. (grin)

The next blog is for the birds.

A small, nondescript bird pecks away on a rock.

A small, nondescript bird roosts on a rock at Three Rivers Petroglyph site.

Strange Gods… The Rock Art of Three Rivers Petroglyph Site

Petroglyph in Three Rivers Petroglyph site of southern New Mexico.

This is one of my favorite glyphs from the Three Rivers Petroglyph site in Southern New Mexico– but what does it mean? I’ll go out on the proverbial limb. My guess is it represents a drug induced shamanistic vision. There is some thought that the circle with dots represents Datura, a powerful hallucinogen (and also a favorite flower subject of Georgia O’Keeffe).

A lot of guessing takes place in determining the meaning of rock art. Present day Native American myths and rituals provide some clues. Others can be deduced from the petroglyph itself. An antelope filled full of arrows relates to hunting, but is it a record of an actual event or a hopeful prediction of the future?

Today I am featuring petroglyphs from the Three Rivers site that represent humans and gods. Some can seem quite strange while the one below seems… quite human.

A realistic portrayal of a human found at the Three Rivers Petroglyph site in southern New Mexico.

This is the most realistic portrayal of a human we found among the Three River Petroglyphs. Note the ear rings.

Petroglyph at Three Rivers Petroglyph site in southern New Mexico.

I also found this triangular face fascinating. Many of the petroglyphs at Three Rivers take advantage of the rocks natural features. This one uses the ridge to set off the nose and eyes, and cracks to outline the chin.

Petroglyph at Three Rivers Petroglyph site in Southern New Mexico.

According to Alex Patterson in his book, Rock Art Symbols, this is either the Mother of Animals or a woman waiting for her honey. It could be she is having a baby. Check out her expression. Two different versions are below.

Petroglyph at Three Rivers Petroglyph site in southern New Mexico.

Another possible version of Mother of Animals at Three Rivers Petroglyph site.

Petroglyph at Three Rivers Petroglyph site in southern New Mexico.

And a third.

Three Rivers Petroglyph.

I introduced a close up of this character in my last blog. Here he is located in his rock setting. I am thinking “boo!”

Petroglyph from Three Rivers Petroglyph site in southern New Mexico.

Talk about scary, this guy qualifies. Big eyes and big, sharp teeth

Three Rivers petroglyph.

Petroglyphs can be quite graphic in their portrayals…

Petroglyph from Three Rivers Petroglyph site in southern New Mexico.

…And abstract. Geometric patterns are often included.

You can tell your god or someone's status in society by the headdress he or she wears. The plant on the left may be corn.

You can tell your god by the headdress he or she wears. The plant may be corn.

Petroglyph from Three Rivers Petroglyph site in southern New Mexico.

I’ll conclude this blog with this spiky haired character who appears to be waving bye-bye.

NEXT BLOG: We will enter into the petroglyph animal kingdom of Three Rivers.

Mountain lion petroglyph at Three Rivers Petroglyph site in southern New Mexico.

I check out a mountain lion petroglyph.

New Mexico’s Three Rivers Petroglyph Site… Where Art Rocks

Sacramento Mountains of New Mexico.

A layer of clouds stretching along the Sacramento Mountains adds beauty and mystery to the Three Rivers Petroglyph site. It is easy to understand why Native Americans chose the area for their rock art.

This marks the beginning of a new series where we leave the beautiful but crowded cities of Europe to visit the lonely, wide-open spaces of the American and Canadian west. Our journey will take us from New Mexico’s northern Chihuahuan desert to Alaska’s remote Kodiak Islands.

For the next three weeks we will explore the mystical world of Native American rock art found in the Three Rivers Petroglyph site of southern New Mexico. Afterwards Peggy and I will spend six weeks travelling up the Alaska Highway through British Columbia and the Yukon Territory to Alaska and back.  We will finish off our summer at the celebration known as Burning Man held in Nevada’s Black Rock Desert.

Peggy and I have been visiting rock art sites throughout the Southwestern United States for the past 15 years. The Three Rivers’ site is one of our favorites. Some 21,000 petroglyphs featuring everything from people to bugs are spread out over 50 acres. Created by the Jornada Mogollon people of the Chihuahuan Desert, the glyphs were pecked into rock using stone tools for a period of over 500 years starting in 900 AD.

This is wide-open country set off by dramatic mountains. Within a hundred miles of Three Rivers, Billy the Kid fought in the Lincoln County Wars, Smokey the Bear was found hidden in a tree avoiding a forest fire, bug eyed aliens became synonymous with Roswell, and history was forever changed with the explosion of the world’s first atomic bomb.

I rode through the area on my bicycle as part of my ten thousand mile trek around North America. It’s a long way between pit stops.

Mountains and deserts of Southern new Mexico

What southern New Mexico looks like from a bicycle.

Native Americans often chose special sites for their rock art and it is immediately apparent that the Three Rivers site is special. The words “raw beauty” come to mind. Set on a ridge, the site provides commanding views of the surrounding desert and mountains. Today’s blog will explore the natural beauty of the region. In my next blogs I will feature petroglyphs of people, animals, birds, geometric designs, animal tracks, reptiles, bugs and anything else that caught the fancy of the Jornada people– including a whale and a mysterious ship.

Three Rivers Petroglyph site in southern New Mexico.

Another photo featuring the Sacramento Mountains and clouds from the perspective of the Three Rivers Petroglyph site.

Three Rivers Petroglyph site in southern New Mexico with Sacramento Mountains providing the backdrop.

Native Americans often chose cliff areas such as those on the left for their rock art.

Three Rivers Petroglyph site in southern New Mexico.

Our van, Quivera, provides a perspective on the region. We took this photo from the ridge where the majority of petroglyphs are located. We pretty much had the site to ourselves during the two days we were there.

Peggy stands on the ridge next to a rock likely to hold petroglyphs. Some glyphs are immediately obvious while others are hidden. Sharp eyes are required.

Peggy stands on the ridge next to a rock likely to hold petroglyphs. Some glyphs are immediately obvious while others are hidden. Sharp eyes are required.

Petroglyphs at Three Rivers Petroglyph site in southern New Mexico.

Faded bear and what may be badger prints are shown on these rocks. Petroglyphs are made by using a stone to peck away the outer layer of rock varnish (a layer of minerals that attaches to the rock over time).

Lichen on rock at Three Rivers Petroglyph site in Southern New Mexico.

We also found the lichens to be quite attractive.

Lizard glyph at Three Rivers Petroglyph site in Southern New Mexico.

Many rocks at Three Rivers are covered with petroglyphs. In addition to the prominent lizard,we found circles, geometric designs, and a possible map on the various faces of this rock.

Evening clouds over the Sacramento Mountains of New Mexico.

Sunset lights up the Sacramento Mountains. I found the contrast created by the cloud layer quite interesting.

NEXT BLOG: I will look at glyphs that feature the Jornada Mogollon people and their gods.

Petroglyph at Three Rivers Petroglyph site in Southern New Mexico

One of the many strange beings we found lurking among the rocks.

Newspaper Rock: 2000 Years of Indian Rock Art… All the News that’s Fit to Peck

Newspaper Rock is filled with Indian rock-art that has been created over a period of 2000 years. This is my version of the headlines.

Sometime around when the historic Jesus was pounding the pavement of Jerusalem seeking recruits, Native Americans began pecking away at Newspaper Rock, creating petroglyphs. What they were trying to say is still something of a question mark. Guesses range from the mundane to the mysterious.

For example, was the guy shooting the buck in the rear a mystical symbol to give the hunter luck, or was it a recording of the event. “Shot big buck. Everyone is invited over for venison stew.”

Some images appear quite clear in intent. This Native American in sitting on a horse and using his bow and arrow to shoot a big buck. Hollywood would call it an action shot.

Like modern graffiti, some rock-art was likely meant to say, “I was here” or “This is the territory of clan such and such…” a no trespassing and no hunting sign. Enter at your own risk.

One interesting question is whether there was any purposeful art in rock-art? Did the creator peck away for the sheer joy of pecking away and creating a masterpiece?

In Navajo the rock is called Tse’ Hane or “rock that tells story.”

We can’t be sure when the individual petroglyphs were made. As I’ve noted before, Indian rock-art is very hard to date. The relative thickness of the rock varnish, the use of bow and arrows, the availability of horses, and the petroglyphs’ resemblance to other rock-art being created in the same era are all used as clues.

The National Historic Marker at the site notes that Archaic, Basket Maker, Fremont, Pueblo and Navajo cultures added their stories to the rock. In more modern times, pioneers even became involved.

Unfortunately, the tradition continues today. All too often people can’t resist adding their own names, marring and destroying the original petroglyphs at various sites. Think of spray-painting your name on the stained glass windows of the Cathedral Notre-Dame in Paris for comparison.

What’s fascinating about Newspaper Rock is the sheer number of petroglyphs included and the time frame over which they were created. I am also impressed with the variety of animals represented. For example, I can’t recall seeing flying squirrels or rabbit tracks in other rock-art sites Peggy and I have visited.

Newspaper Rock is located on Utah’s highway 211 which serves as the south entrance to Canyonlands National Park and is south of Moab. The following photos are a few examples of what you can expect to see. I take total responsibility for the interpretations.

A flying squirrel sails across the sky at Newspaper Rock.

Big foot, bear foot, bird foot and a screaming ladder.

What little kids expect to find hiding under their bed at night.

A bow-legged trick rider?

A bow-legged trick rider? Yeehaw!

This represents the richness of wildlife found on Newspaper Rock. I see deer, a buffalo, big horn sheep, a bear and a lizard. I don’t have a clue what the long creature on the left with the strange legs is. Any guesses?

I’ve included this photo to illustrate how crowded the petroglyphs are on Newspaper Rock. Note the rabbit tracks working their way upward on the upper-right center.

Buffaloed?

Bear with me. (grin)

A picture of the complete Newspaper Rock site. The fence has been added to discourage people from defacing the petroglyphs.

My favorite photo. I like the contrast between the orange sandstone and dark rock varnish.

The Ancient World of Indian Rock Art… On the Road

My wife Peggy and I have travelled throughout the western United States visiting and photographing Native American rock-art. We found this petroglyph of a cougar in the Three Rivers Petroglyph National Recreation Site of southern new Mexico.

I grew up in the town of Diamond Springs, California located in the foothills of the Sierra Nevada Mountains.

Once upon a time Diamond had been known as Mo-lok’epakan, or, Morning Star’s Spring. It was a very holy place to the Maidu Indians. They came from miles around bearing their dead on litters for cremation.

Apparently the Maidu had been living in the area for a thousand years. It is a sad commentary on both our education system and how we treated the Indians that I grew up never hearing the name Morning Star’s Spring much less Mo-lok’epakan.

Our only connection with the Maidu’s lost heritage was finding an occasional arrowhead or Indian bead.

The thrill of finding arrowheads, however, led to a lifelong fascination with the culture of Native Americans. Over the past ten years that fascination has led me to an interest in Indian rock-art or petroglyphs and pictographs. Petroglyphs are pecked or scraped from dark, rock varnish exposing a lighter color underneath. Pictographs are painted on rocks.

Indian rock-art is found at thousands of locations throughout the Western United States often near water or unique landmarks. Searching for rock-art is often like a treasure hunt. Here you can spot a group of petroglyphs on the left about a third of the way up the rock.

Peggy and I have explored and photographed major rock-art sites throughout the western US. Today I will introduce Sego Canyon located in eastern Utah off of I-70 near the small town of Thompson. Later I will blog about other sites such as the Three Rivers Petroglyph National Recreation Site of New Mexico.

What captured me about Sego Canyon is the unique, almost ethereal rock-art of the archaic peoples, and the fact that the rock-art represents three distinctive Native American cultures ranging over 8000 years.

The pictographs featured below were made by archaic hunter-gatherer nomads who wandered across western North America between 6000 and 100 BC. Rock art is classified according to various styles and this particular style is known as Barrier Canyon. Its attributes include life-size, man-like creatures with hollow eyes, missing arms, antennae, and lots of snakes. The theory is that the figures may have represented shamanistic journeys to the underworld. I am voting for encounters with aliens… just kidding.

This rock-art, which is found in Sego Canyon, Utah, was created sometime between 6000 and 100 AD. It is classified as the Barrier Canon style. Note the hollow eye sockets, antennae, horns and snakes.

This is a close up showing images from the above photo. There is some thought that these figures reflect shamanistic visits to the underworld but one can understand why UFO fans might think they represent encounters with aliens.

These figures from the Barrier Canyon style seem wraith-like… red ghosts arising from the rock.

The Fremont Culture existed between 600 and 1200 AD and represented a more settled lifestyle. The rock-art of the Fremont Indians featured rectangular bodies with small heads. Both deer and mountain sheep are also found in the rock art below. Note the Indian shooting the mountain sheep with a large bow and arrow.

This rock-art found in Sego Canyon is done in the so-called Fremont style where rectangular figures with elaborate jewelry were common.

Mountain sheep are the most common animals found in Native America rock-art.

The final culture represented in Sego Canyon is that of the Ute Indians who lived in the area from 1300 AD up to 1880 when they were forced off the land to live on reservations. One indicator of more ‘modern’ rock-art is the presence of horses that didn’t exist in North America until the Spanish introduced them in the 1500s. Note the red leggings on the central figure. I also like the little red guy riding the horse. Yahoo! The round figure on the right is thought to represent a shield.

Identifying the age of petroglyphs is a difficult process. The appearance of horses shows that the petroglyphs were created after the 16th Century when the Spanish introduced horses to North America.

In my next post I will travel to Dinosaur National Monument, which also has some very unique Indian rock-art such as this one featuring what I assume is a woman with big hands and some very fat dogs.