The Big Rig Jig was made up of two oil tanker trucks, taken apart and put back together.
I’ll be journeying to Burning Man alone this year. I obtained my ticket in February. Peggy joined the long queue for tickets on Wednesday, all to no avail. When she was finally moved to the ticket purchase site, the message was that all 30,000 tickets had been sold out. (The other 40,000 tickets are distributed in other ways.) Neither are other members of the Horse Bone Tribe going this year. So, it’s back to me, like it was in 2004, when I went by myself except for my friend Ken Lake. I’ll miss my friends, especially Peggy, but I am okay with going alone. I can easily spend eight days exploring and photographing the art.
Today I am featuring ten of the major art installations I have enjoyed the most over the years. This doesn’t include buildings like the temples, which will have their own posts. Since I missed four years when I was off wandering or had ended up on the wrong end of the Burning Man ticket circus, there are undoubtedly other pieces I would include. Also, I already included a post on the 40 to 60-foot-tall sculptures of women that are definitely among my favorites.
Another view of the Big Rig Jig. I felt a bit nervous standing underneath it.
Often the major art installations are tied into Burning Man’s Theme for the year. In 2007 the theme was “The Green Man,” which had an environmental emphasis. The Big Rig Jig tied into the impact of oil.
I’ve always considered this intricate white tower beautiful.
A close up of the top.
This massive sailing ship appeared to be sinking into the Playa.
A front view of the sailing ship. I thought that the detail was incredible. The ship was built in Reno.
As is often the case at Burning Man, what was inside the art piece was also fun and interesting. I like the stylish hat.
Dragons are common at Burning Man. This one, protecting its egg, is my favorite.
I don’t think I would be tempted to harm its baby.
Especially at night.
Buck Rogers would have been happy with this rocket ship. Peggy provides perspective.
Medusa with her snaky hair was one of the most unusual sculptures at Burning Man.
Her wiggly hairdo from the back.
And at night.
The inner children of these two estranged adults reach out to each other.
I have always liked this bike sculpture that was located in front of the Center Camp Cafe because of the significance of bikes for transportation at Burning Man.
The top of the heap, so to speak.
This giant couple embraced. The Man looks on from the left.
A close up.
This art was located in the head of one of the sculptures.
At night. A red, high-heel mutant vehicle is in the foreground. (Photo by Don Green.)
A coyote raises its head to howl. (Photo by Tome Lovering.)
A tail view of the coyote.
I chose the coyote at night for my last photo today. The two bright lights on his head are from headlamps of people climbing the sculpture.
Monday: Back to the Oregon coast with a visit to the town of Astoria on the mouth of the Columbia River.
Wednesday: I’ve often mentioned the Horse Bone Tribe and Camp at Burning Man. This is the story of the horse bone, or Bone, as he prefers to be known.
Friday: A continuation of my Burning Man art series with a final look at sculptures.