Route 66: Part 2… Where the Dinosaurs Roam and What Dreams Are Made Of

It’s in the interest of the merchants who live along Route 66 to entice people off the speeding freeways like I-40. History, scenery and nostalgia work, but a special twist doesn’t hurt. Donkeys provided an extra incentive in Oatman. Seligman had the Wild West tie in and the Road Kill Cafe. “Hey, I ate at the Road Kill Cafe” has bragging rights. The Grand Canyon Cavern has a cavern— and a couple of dinosaurs. I introduced you to the brontosaurus at the end of my last post. Here’s a hungry T-Rex. Dinosaurs are a mainstay Route 66 attraction. We’ll meet more along the way.
If you want to go for an extended spin on Historic Route 66, pick up the highway in Kingman and follow it to Seligman, or vice-versa. The road is 83 miles long if you return to I-40 at Seligman, or 92 miles if you continue on to Ash Fork. It’s the longest, uninterrupted stretch of the historic highway and an excellent example of what Route 66 would have looked like in the 50s and 60s. I bicycled this stretch on my trip around the country. Grand Canyon Cavern is about half way. I camped there, as did Peggy and I when we retraced my bike route.
We found this tourist map in the motel memorabilia shop. We were there! While the Caverns are the main attraction and the dinosaurs capture people’s attention when they drive by, the site had also adopted the name Grand Canyon as another way to attract tourists— even though the South Rim is 120 miles away! The map is titled ‘America’s Main Street,’ which along with The Mother Road, is a common name for Route 66.
When Peggy and I were out hiking behind the Caverns, we found this ancient trailer that may indeed have been traveling up and down Route 66 in its glory days. It wasn’t going anywhere. The wheels had been removed. “Hey, Curt,” Peggy called out, “I’ve found us a cheap room.” We had to dodge cow pies getting there.
It can get lonely when you are riding your bike solo across America’s vast open spaces for hundreds of miles. A distant train was often my only companion in the West. That and cattle. I’d stop to watch the train. I’d moo at the cows. When I got lucky, one would moo back. I took this photo between the Grand Canyon Caverns and Seligman.
Burma Shave signs once dotted the highways of the West. They can still be found on occasion on Route 66. This one was featured in Kingman’s Route 66 Museum. Out on the highway, the sign would have been divided into five parts: The chick he wed— Let out a whoop— Felt his chin— And flew the coop— Burma Shave, each one farther down the road. I remember riding down a California highway with my family as a kid, waiting in anticipation for the next sign. It was a great, inexpensive way for Burma Shave to advertise and keep kids (and adults) entertained at the same time.
Peggy and I stayed at a campground in Ash Fork on our recent Southwest trip. It’s just above Seligman going east. The old sign greeted us. No fake news there. I suspect the ‘auto sales’ featured a used car lot. A “Great Deal” could be found. And probably, a used car salesman. Our campground advertised it fronted Route 66.
Ash Fork’s primary source of income in the early 1900s and continuing to today is flagstone.
Traveling up Route 66 provides an opportunity for enjoying some of the greatest scenery America has to offer. For example, the Grand Canyon. Travelers along the highway could have stopped at Williams, 20 miles up the road from Ash Fork, and taken a train up to the South Rim. You still can.
Flagstaff was another major stop along 66. We didn’t stay there on this trip, but we did visit the 2025 Overland Expo with our friends Tom and Lita. The expo featured everything for escaping into the wilderness in your favorite backroads vehicle from tents that could be attached to the top of a pickup to this monster. Peggy provides a perspective on its size. I had the feeling that one could go to war in it. Tom was there promoting his battery driven blender. After all, what wilderness oriented person driving into the backcountry wants to be stuck out in the woods without the ability to whip up a margarita? Makes sense to me. I’m sure that Tom would argue it’s even small and light enough for backpacking. “Okay, Tom, you carry the tequila, mix, ice and salt.”
This meteor crater, 37 miles east of Flagstaff off of I-40/Route 66, was another ‘must see’ stop for early Route 66 travelers. Zooming at 29,000 miles per hour, the 160 foot wide meteor hit the earth around 50,000 years ago. Being 3,900 ft (1,200 m) in diameter, 560 ft (170 m) deep, it’s a testament to the impact that large meteors can have. It would have awed Route 66 travelers. It certainly awed us. It’s considered the best preserved meteor crater in the world.
Before Neil Armstrong made his ‘giant leap for mankind’ on the moon, he was wandering around in the meteor crater, along with Buzz Aldrin and Michael Collins, as part of his training program. This test module used by the astronauts in their training is on display at the crater.
Another 18 miles up the road brings us to Winslow and its Visitor Center. This old building once served as part of the Hubble trading empire that sold Navajo made products including rugs, pottery and jewelry. Located on the Santa Fe Rail line gave the traders access to both the east and the west coast for its products. A number of stores, several of them dating back to the 40s-50s, still sell hand made Native American products and Route 66 memorabilia along the highway today. Huge billboards announce their presence.
The Main Street of Winslow. Jackson Browne of the Eagles was stranded here in 1972 when his car broke down and was inspired to write the song Take It Easy with the words: Well I’m a-standin’ on the corner in Winslow, Arizona, With such a fine sight to see, It’s a girl, my lord, in a flatbed ford, Slowin’ down to take a look at me. The song became the first Top 40 hit of the Eagles and made Winslow famous. Today the town has a statue of Browne standing on a corner as one of it’s main attractions.
As promised earlier, here are more dinosaurs. It’s all about them (and rocks) in Holbrook, the next town up. Compared to the fences in Jurassic Park, this one looks rather feeble. I wonder how often the dinosaurs escape to wander the streets of Holbrook.
One of many billboards along Route 66/I-40. Fossils are found throughout the area. Wild Bill serves as an attraction to get people into the shop.
As rocks for sale go, petrified wood is the most common. There are tons of it. While it can’t be gathered at Petrified Forest National Park, there is plenty found on private lands surrounding the park.
As I pointed out in an earlier post, Petrified Forest National Park is quite proud of its position as being the only national park that Route 66 passes through and commemorates it with this old Studebaker.
While Grants, New Mexico was also along Route 66 and emphasized its connection, we were too busy exploring El Morro and El Mapais National Monuments to spend much time there. The KOA we stayed at was in the middle of a lava flow. This lava outcrop was in the middle of the campground.
The Enchanted Trails RV Park we stayed at in Albuquerque was right on Historic Route 66 and honored its heritage with a great display of old cars and trailers from the 50’s, 60’s and 70s.
The RVs ranged in size from the small we were expecting to quite large like this one.
Peggy got the keys from the office so we could check out the inside of the various trailers on display. Not wide but definitely long.
Colorful.
Our last connection with Route 66 was more happenstance than planned. We were on our way back to Virginia and pulled into Adrian, Texas in the Texas Panhandle. The Midpoint RV campground offered a minimal, inexpensive place to stay overnight. “Put $20 in the slot and find a vacant space,” the instructions read. A question we had was where we midpoint between?
Here we are at midpoint between two vacant spaces.
The scenery represented Texas well. A large grain elevator….
And a windmill.
Modern windmills, the type the Washington Administration is trying to discourage because they reduce our dependence on fossil fuels, filled the horizon, however.
It turns out that we were at the midpoint of Historic Route 66. LA was 1139 miles to the west and Chicago 1139 miles to the east.
We stopped to take a photo of our last Route 66 station. We hadn’t planned on Route 66 being a part of our trip but were ever so glad it was. Traveling Route 66 is one of the things that dreams are made of.
A mural we found in Kingman.

We have a final post we want to do on petroglyphs not featured yet, but we are heading out for New England this week so our next posts will be featuring fall colors and cozy towns.

“Get Your Kicks on Route 66″…America’s Mother Road: Part 1

“Get Your Kicks on Route 66” was a song first sung in 1946 by the Nat King Cole Trio. World War II was over, gas rationing a thing of the past, and America was ready to celebrate. And what better way than a scenic road trip from Chicago, Illinois to Santa Monica, California. The song helped to make Route 66 popular in 50s and 60s. There was even a Route 66 television series that ran on CBS from 1960 to 1964. Tourists still flock to “America’s Mother Road” with its close to legendary status, quaint towns and scenic views. Peggy and I met the donkey/burro in Oatman, Arizona, one of the colorful communities along the way. I am featuring it and Seligman, Arizona, in today’s post. The donkey was looking for carrots.

On our recent trip to the Southwest, we camped in six different locations along the historic highway: Kingman, Ash Fork, and Holbrook in Arizona, Grants and Albuquerque in New Mexico, and Adrian in the Panhandle of Texas. I’ll be incorporating some of them in the next two posts plus other visits we have made to the area over the years.

This National Park Service map shows the route that Historic Highway 66 followed between Chicago and Santa Monica, traveling through the states of Illinois, Missouri, Kansas, Oklahoma, Texas, New Mexico, Arizona, and California for a total of 2,448 miles (3,940 km). Established in 1926 the road became the major thoroughfare for migrants escaping the Dust Bowl in the 30s searching for a better life in California. In fact, it was John Steinbeck in his classic novel about the migration, The Grapes of Wrath, who gave Route 66 the name ‘America’s Mother Road.’
This diorama in Arizona’s Route 66 Museum in Kingman features migrants from the Dust Bowl traveling on Route 66 in the 30s. During World War II, Route 66 became a major road for military transports from the East heading for the West Coast and the war in the Pacific.
Most of our exploration of Historic Route 66 over the years has taken place in the Southwest starting with Oatman and working our way east into Texas. Freeways have replaced Route 66 as the major national transportation corridors for traveling back and forth across the nation, but local town, county and state roads have incorporated parts of Route 66 into their road systems and promote it proudly, from both an historical and economic perspective.
Donkeys have become a major attraction in Oatman, as the sign suggests.
Like who could resist this cutie.
Certainly not Peggy. It’s hard to tell which one was enjoying the head scratch more. The no-carrot sign on its forehead, by the way, is to protect the youngster. The little ones are known to choke on them.
Not so with the big ones. In fact you might find yourself with one sticking its head in your window while searching for carrots. As I recall, these folks had left their window open while they explored the town. Their seats were probably covered with donkey drool when they returned.
Many of the establishments promote the town’s connection to the donkeys as well as their location along Route 66. Not missing a bet, this sign also featured its location in the desert and local brands from cattle ranches. You knew you were in the ‘Wild West.’ I took Peggy’s photo here several years ago when we were visiting Oatman.
While the female featured in the top photo was begging/demanding a carrot from us, a male slipped up behind her for some major sniffing. Ears laid back, she objected strenuously.
A photo of Oatman in its desert setting. The 1902 hotel predated Route 66 and was built during Oatman’s days as a mining boomtown. Its remote location today suggests that Oatman would likely be a ghost town now without Route 66 and its donkeys. The donkeys, or burros as they were called at the time, were left behind or escaped to go wild when the boom ended, not only in Oatman but throughout the west. Like wild horses, their descendants can still be seen roaming in areas of the West and Southwest.
This sign marks Route 66 just outside of Oatman. Bone considered it a photo op. The Black Mountains are in the background.
Historic Route 66, a few miles south of Oatman, still looks like the highway would have been in the 40’s and 50’s. First paved in 1938, the mainly flat road was easy to drive as it made its way through Middle America and the Southwest deserts. A few sections were known as ‘Bloody 66’ because of curves. This was one. Here’s what Wikipedia has to say about it: “One section through the Black Mountains outside Oatman, Arizona was fraught with hairpin turns and was the steepest along the entire route, so much so that some early travelers, too frightened at the prospect of driving such a potentially dangerous road, hired locals to navigate the winding grade.” Obviously they were flatlanders. Grin.
Now, on to Seligman. If you go back to the second map where I featured the Southwest, you will find Seligman just above Oatman. Unlike Oatman, however, it is located just off of I-40. I don’t know whether the Roadkill Cafe adopted that name in the glory days of Route 66 or later, but it has to be given credit for its eye catching name.
Seligman was one of the first towns along Route 66 to fight back when fast freeways threatened their livelyhood. Old buildings were repurposed to provide a colorful Route 66 experience. Road signs were put along I-40 to encourage people to stop off. Traveler services such as restaurants, bars, motels and RV campgrounds were provided. Almost every town featured old vehicles and license plates, not to mention a ton of Route 66 signs and memorabilia. I counted at least 12 Route 66 signs here.
Old police cars also got into the act. And note the washing machine out front. My parents had one like that in the 40s. It has a wringer on top that you would put your clothes through before you hung them out to dry.
Have an ancient motel that has long since passed its expiration date? Not a problem. Just point out that people could have a unique Route 66 experience sleeping in it. Maybe there would even be a ghost for entertainment.
Speaking of entertainment, I suspect these woman hanging out on the veranda of a Seligman building offered a special type that may have been available in the 40s when soldiers were heading west on their way to war. Their mannequin presence still illicit smiles. I don’t remember if they were up there when I rode my bicycle through in 1989 on my 10,000 solo trip around North America.
This is my bike route, starting and returning to Sacramento CA. I followed Route 66 or I-40 from Kingman to Holbrook, Arizona for around 250 mile including detours.
I’ll start Part 2 of my Route 66 post next week. You will meet a few dinosaurs along the way. This one was at Grand Canyon Caverns just before Seligman. Peggy took this photo of me when we drove my bicycle route in 2016. Peggy drove so I could take notes and photos.

El Malpais… The ‘Not so Bad Lands’ National Monument

When the Spaniard explorers came through here in the 1500s searching for the Seven Cities of Cibola and untold (unfound) treasure, they looked at the lava covered fields below and declared them El Malpais, the badlands— good for nothing. They would travel around them instead of through them. The Zuni and Acoma, whose ancestors had arrived at least 700 years before the Spaniards, considered them part of their homelands. Food, water, shelter and medicine plants were here for those who knew where to find them. Their trails crisscrossed the ‘not-so badlands.’
A road takes visitors out to Sandstone Bluff, shone here and above. Visitors can walk along the bluffs and look down into extensive volcanic flows of basaltic rock. While the sandstone that makes up the bluff dates back some 160 million years, the most recent lava flows are a mere 3000 years old, babies in geological time. If you go back to the first photo, the latest flow is the darkest.
This map shows an overview or El Malpais National Monument. I-40 is at the top of the map, as is the Monument’s Visitor Center. El Morro National Monument, that I blogged about earlier, is off to the west. Most of our photos are from the Sandstone Bluffs, the Acoma-Zuni Trail, the La Ventana Arch, the Narrows and Lava Falls.
The first four locations are shown above in the close up. The four photos below are from the Sandstone Bluff area.
Water catchments such as this on top of Sandstone Bluff, provided a ready source of water after rainstorms for the Ancestral Puebloans, more ancient peoples, and wildlife that lived and wandered through the area. Various little water bugs took advantage of the pool when it was full. As did frogs, who laid eggs that turned into pollywogs. Looking at photo, I’m still trying to turn the stick into a skinny frog.
Ruins of the Garret Home are found along the road to Sandstone Bluff. The family built their homestead in 1934 on the edge of El Malpais as a way to scratch out a living and survive the Great Depression.
We found this barren space next to the house. It was about 6 feet across and interesting but we carefully avoided walking across. It marks the location/territory of a red ant nest. Had we walked over it, ants would have come boiling out to attack and bite us. And, believe me, their bite hurts! I know from experience. Various reasons are given for the cleared area. Among them: It makes it easier for the ants to leave and return to the nest when they are foraging, enemies, like other ants, have a harder time attacking, and the direct sun makes the nest warmer on cold days.
Lunch? These ants seemed to be chowing down on this bug. Or maybe they were working cooperatively to drag it to their nest.
Sandstone cliffs along New Mexico 117 on the eastern side of El Malpais National Monument provided us with numerous views of impressive rock monuments.
This provides a good look at cap rocks. Being harder than the rocks immediately below them, they resist erosion more and provide for the multitude of interesting shapes one sees when traveling around the Southwest.
We liked the contrast between the tall ponderosa pine and the cliffs here.
Once again, we liked the contrast. But it was the sheer size of this monument combined with its coloration that insisted this was a photo op.
This is a ‘draw’ in Western lingo and quite likely a box canyon. Cowboys liked them because they often provided water, shelter and forage for their cattle. If it’s a box canyon, it could also serve as a makeshift corral.
Moo.
This rock, peeking out from among the trees marks the beginning of the ancient Acoma-Zuni Trail on the eastern side of El Malpais. We found it amusing that it is named the Zuni-Acoma Trail if one starts from the west. Historically, and today, the Zuni lived/live on the west side of El Malpais and the Acoma on the east. The 7 1/2 mile trail provided the main route for the two groups to travel back and forth between their pueblos. It’s been in use for at least a thousand years. Today, people backpacking the 3100 mile (4989 km) Continental Divide trail are still using it! Some of the cairns (rock markers) used by the hikers to follow the route were set in place hundreds of years ago by the Acoma and Zuni.
La Ventana (the window) Arch is found about halfway down New Mexico Highway 117 when driving the length of El Malpais National Monument. It’s the second largest natural arch in New Mexico and definitely worth a stop.
A closer view. A short trail leads up to the arch from the parking lot. Picnic tables are available for those who would like to stop for lunch. We found a group of hikers who were doing the Continental Divide Trail, eating lunch at one of the tables.
We also found: A single Indian paintbrush…
A rather colorful rock…
And a Cholla cactus on a trail leading up to another rock monument.
A close up.
Instead of eating lunch at La Ventana, we chose to drive down to the Narrows and eat lunch at a BLM park, where we treated to views like this. The brilliant white rock two thirds of the way up is sitting on a rock that is 60 million years older. In geological terms, it’s known as an unconformity. The intervening 60 million years of geological history were wiped out by erosion!
Peggy and I finished our visit to El Malpais National Monument by driving down to the end of the park and going for a hike along the Lava Falls Trail (noted on the first map above). We quickly learned about the importance of following the route marked out with the rock cairns. One part of the lava flow looks pretty much like every other part. Getting lost is a distinct possibility.
There are deep cracks in the ground.
Large collapsed sections that would be difficult to cross and possibly dangerous.
And prickly cactus to avoid.
Fortunately, the cairns are relatively easy to follow. It’s important, however, to locate the next one before you leave the one you found! Its hard to see here but it was across the crack off to the left.
Peggy stopped to take a photo of the crack while crossing it. Of course. That’s it for today’s post. We have two left in our Southwest series. The next one will be on the campgrounds we stayed at while following sections of our trip that took us along historic Route 66. Our last post will feature some of the interesting petroglyphs we found at Lyman Lake State Park in Arizona and the Petroglyph National Monument in Albuquerque.
We stayed at a KOA campground just outside of Grants, New Mexico off of I-40 when we exploring El Morro and El Malpais National Monuments. Historic Route 66 ran through the town about a mile away. While at the campground, we were treated to this gorgeous rainbow.

The Maryland 2025 Renaissance Festival/Faire… A Rip-Roaring Journey Back in Time

With the sound of pounding hooves, the knights came dashing onto the jousting field, brandishing their swords above their heads. (Except for the last one who appeared to harbor thoughts about jabbing the butt of the horse in front of him. All’s fair in love and jousting, right. He didn’t, of course, but the horse is keeping a wary eye on him.)

Peggy and I made our way to the Renaissance Festival in Annapolis, Maryland last week. It’s a big deal, hosting some 15,000 people per day and covering 27 acres. Started in 1977 and now in it’s 49th year, it is one of the oldest and biggest of the some 300 Renaissance Faire type events across the nation and in Europe.

This map from Renfel provides an idea of the events popularity in the US and Europe. The colors and signs represent the different themes for the various faires, ranging from the traditional Renaissance Faire to Scottish Highland Games, Celtic celebrations, pirates, the Goblin King, Sleepy Hollow, etc.. Heathen Days and Pagan Nights in particular caught my attention.

The Maryland Renaissance Festival focuses on King Henry VIII and his six wives with a story that progresses each year following his life and love life. This time, the year was 1539 and Henry was at the festival to meet with Hans Holbein the Younger, the renown painter, who had done portraits of potential wives of the right ‘pedigree’ across Europe. And yes, Hans Holbein actually did that, serving as a matchmaker for the King. As to why a woman would want to marry the King given the fate of his wives— including Anne Boleyn who had her head chopped off— one can only wonder?

Our noble knights weren’t engaged in trying to knock each other off their horses, however, they were trying to retrieve rings tossed by squires out of the air with their lances.
He who caught the most won. I think there were six rounds with each one adding a ring.
The winner caught them all. He looked like he could serve as a model for the cover of a romance novel.
A royal toast to the winner.
When we arrived at the Festival, we were greeted by this woman blowing bubbles. Over 200 performers filled the stages, taverns, and streets, providing continuing entertainment that came free with the entrance fee.
Peggy and I wandered the 27 acre site stopping off at the various venues that offered everything from magic to juggling to music and more. This tall fellow was one of the street performers.
He was decked out with a shark tooth necklace, a feather in his hat, and an impressive tattoo. And maybe a drink of mead or ale. I don’t know if performers are allowed to drink on the job, but even the King hoisted a mug.
Next we stopped to watch a magician who featured a magician’s chest that he disappeared into with the help of his assistants. At first, he invited an audience member on to the stage to check out the box and look for trapdoors. SOP— standard operating procedure for magicians. None were found, of course.
Then he climbed into the box and a bag that his assistants tied up.
The final step was to lock the chest.
Which the assistants did with glee. Note: More tattoos. A foxy lady, perhaps? A poof of smoke and the magician reappeared, free from the tied bag and locked box. Hooray!
Another magician at a different stage worked his magic with a disappearing egg trick using a member of the audience. Now you see it…
Now you don’t. The magician had a unique look.
The festival is set in an attractive hilly woodland. While 27 acres seems like a lot, dropping 15,000 people into it created a substantial crowd. Many were dressed up for the Festival.
Including one dressed with leaves. While the majority wore Renaissance costumes, there was a great deal of leeway. If you wanted to be a tree, be a tree.
Or a blue, black and white wolf. This woman was wearing a fursuit, an animal costume common among cosplayers known as “furries.” A furry who wears a fursuit is called a fursuiter. Or so I have been told. Now you know.
One of our favorite costumes was this walking gondola, one of the festival’s entertainers.
Peggy, ever curious, asked if it was okay to look in the window. “Of course,” gondola man told her. An eye stared back at her. Her own. A mirror was positioned inside.
Another two costumes we found fascinating were this pair of look alike crows or ravens being worn by look alike women. Twins? My guess was they were also part of the entertainment but they might have been attendees with really neat costumes.
All of our walking made us hungry! Over 42 food and drink vendors provided a wide variety of food at the festival. But there was only one food item I was hungry for…
A turkey leg. They are almost mandatory at a Renaissance Faire/Festival and have been since time  immemorial. At least in the American version. In Renaissance times, turkeys hadn’t made it to Europe yet. They were an American bird. In fact Benjamin Franklin wanted to make them the national bird. The eagle fans won out. More majestic they said of this bird that soars beautifully but likes nothing better than to chow down on a ripe, dead salmon. Yum.
Eating a turkey leg also calls for a glass of ale and the Knights’ pub was located right next door. The horses seem to be racing…
And the winner by a nose is…!

The smoked turkey leg tasted good, but it was tough. Possibly the toughest meat I have ever eaten. People were pulling the meat off with their fingers instead of chewing it off. I saw some, who were lucky enough to have a pocket knife, carving it off. But duty is duty. I had eaten a turkey leg at all three Renaissance Faires I had been to before, and I was going to eat one at the fourth! Peggy and I shared, washing each hard earned bite down with a sip of ale.

My first Renaissance Faire was in 1969 at the Northern California Renaissance Faire held at China Camp State Park on the northern edge of San Pablo Bay, an extension of the San Francisco Bay. At the time, it was one of two such events in the country, not 300. The country’s first Renaissance Pleasure Faire had been staged in Los Angeles 6 years earlier in 1963 by Phyllis Patterson. At the time, she was working at a youth center where she used a theater program she ran in her back yard to motivate her children using great themes from the past. One of the themes was the Renaissance. Finding an illustration of a medieval pageant wagon, she asked two of the dads to build a Commedia dell’arte wagon to use with the kids.(Commedia dell’arte was a form of professional theater that originated in Italy and was popular in the 16th and 17th centuries.) The kids performed a play using the wagon as a prop and loved it. Inspired, Phyllis decided to hold a repeat performance, but in a larger setting, a recreation of an Elizabethan County Fair. It was an immediate hit. The first Renaissance Faire was born. She added the Northern California pageant in 1967. Two years later, I was sitting there eating my turkey leg as the king and his retinue came striding by.

Like, Maryland, the Faire was in a beautiful wooded section. I thought it was magical.

There were several sites where people could try their luck at various activities such as throwing axes or shooting arrows. This guy was trying to ring a bell with a sledge hammer. He didn’t make it…
The tall, skinny guy who ran the booth, showed him how to do it. One handed.
There were also some 140 crafts people selling their wares at the Festival. This one made wooden signs. How many of you know what book and movie made this popular? Think,”The Princess Bride.”
Several of the craftspeople demonstrated their art. This fellow created small glass objects, ranging from flying pigs to…
A variety of other imaginary creatures, including flying unicorns and dragons.
How could one have a Renaissance festival without a dragon or two?
Or an angel? Peggy demonstrated.
Several musicians performed at the Festival.
As we were leaving, an a cappella group was performing.
They were quite talented…
And seemed to be having a great time. As almost everyone was. It was a fitting goodbye for us. In 2007, the columnist Neil Steinberg, from the Chicago Sun Times summarized why people enjoy Renaissance festivals so much: “If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, white-bread America, the Renaissance fair is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes.” Burning Man, which Peggy and I have attended several times, has a similar appeal.

And now back to our next post: The Southwest and El Mapais National Monument.
The Spanish called it El Mapais, the bad place. This monument would have served as a landmark on their early travels through here in the 1500s. Before that it would have served the same purpose for the Zuni and Acoma Native Americans. Today, backpackers making their way along the 3100 mile (4989 kilometer) Continental Divide Trail, pass right by it.

Bandelier National Monument… Herding Turkeys

It was a new one for us: A national monument that featured turkeys on its entrance sign. Apparently the Ancestral Puebloans, who lived at Bandelier from 1150 CE to 1550 CE, had domesticated them as livestock and herded them like cattle. The models for the turkeys looked like petroglyphs. We were eager to find them. It wasn’t easy.
We had a flock of turkeys that lived on our property in Oregon. They weren’t domesticated and we didn’t eat them, but they were entertaining. Here, a group of toms is doing the turkey trot in our back yard, or maybe it’s a Conga line, or a fan dance.

We had planned on going to Chaco National Historic Park the day we visited Bandelier but weather conditions were iffy and the dirt roads into the park can become impassible during bad weather. When I called the park the day before, the ranger had told me that heavy rain was expected during the night and I should call them back in the morning. He sounded grouchy. Given that the park was three hours away and the park’s information center didn’t open until nine, we wouldn’t get there until noon, assuming we could go at all. We decided on going to Bandelier instead. It was located within two hours from where we were staying in Albuquerque, the roads were paved, and the park was open come rain or shine. Its setting among high cliffs of the easily erodible tuff rock, the incorporation of cavates into the Ancestral Puebloan homes, and our search for turkey petroglyphs combined to make the visit special.

The tuff cliffs and cavates of Bandelier National Monument are what make the area special. Tuff is a relatively soft rock that derives from compressed volcanic ash. The holes on the upper cliff face are from natural erosion. The large holes along the base are cavates, caves chiseled out of the soft rock with harder rocks such as basalt by the Ancestral Puebloans for shelter and storage.
This satellite photo that we found at the information center shows two things that caught our attention. First, the Valles Caldera is the location of the Jemez Volcano which erupted twice a million or so years ago and spewed out the ash that created the tuff cliffs. It is estimated that each of the eruptions created more than 600 times the amount of ash than the 1980 eruption of Mt. St. Helens did. The second is Los Alamos, a town located 10 miles north of the park. Its claim to fame is being the birthplace of the atomic bomb during WWII. (It’s not a fame I would want for my home town, but it is historic.) Bandelier was closed at the time and the lodge was used to house employees of the project.
A towering cliff of tuff overlooking Frijoles Canyon. During the summer months, the Ancestral Puebloans climbed out of the canyon and farmed on top of the Pajarito Plateau as well as in the canyon.
An easily walkable paved trail leads out from the information center to the major sites of the Bandelier. A few flowers, left over from spring and early summer, still decorated the trail. This one is known as fire wheel or blanket flower.
A checkered white butterfly sips nectar from a golden Aster.
Datura gets high marks for its beauty. Georgia O’Keefe, who lived less than 50 miles away from Bandelier, made the flower famous through her paintings. It had a different meaning to the Ancestral Puebloans living here. Datura contains a powerful hallucinogenic that was used by Native Americans to initiate youth into adulthood and by shamans to enter trances to invoke supernatural powers for a variety of purposes ranging from curing people of illness to warding off evil spirits. It isn’t something one wants to experiment with. Misuse can cause death.
Other than the cavates, this large kiva was our first view of a structure built by the Ancestral Puebloans in Bandelier. It would have had the double purpose of serving the spiritual needs of the community and providing a meeting place for decision making. Its large size speaks to its importance.
The Ancestral Puebloan village of Tyuonyi came next. The walls are standing in the same place they were when excavated and have been stabilized with a permeable mud mortar.
The pueblo was built in a circular fashion several rooms deep. A large open area was in the middle.
A climb up the hill above Tyuonyi provided an overview. Frijoles Creek with its rich riparian habitat is behind the pueblo. It would have provided the Ancestral Puebloans with water for farming plus wild plants and animals for food.
An information board gave an artist’s view of what the structure would have looked like when occupied. There are even some turkeys hanging out on the roofs. (I suspect they would have been down in the center with clipped wings, but…) The three round structures are kivas. Entry for the kivas and the pueblos is from the roof.
Another perspective of Tyuonyi from above. This one is with rocks because Peggy and I like rocks. Note the eye-like holes…
Peggy used one of them to bring the pueblo ruins into focus. The tall plant is mullein. A Texas blogging friend of mine told me that during the Great-Covid-Toilet-Paper-Shortage, the large leaves could serve as a substitute. And, no, I didn’t try them.
Some of the rocks overlooking the the pueblo seemed almost anthropomorphic and I couldn’t help but wonder if the Ancestral Puebloans gave any significance to them.
Or possibly carved them. This one certainly looks like it. Was there a Michelangelo among the Puebloans? I couldn’t find any reference to it, however, which leads me to wonder if modern day Puebloans have objected to them being pointed out for religious reasons or fear of their being damaged. Or, were the rocks carved by erosion and my imagination is simply working overtime here? What do you think? The cactus in front is a member of the Cholla family.
We climbed the trail above the ruins of Tyuonyi for a couple of reasons beyond its interesting rocks and views. One was to visit the Talus House. It had been reconstructed in 1920 to demonstrate what the buildings the Ancestral Puebloans built in front of the cavates looked like.
Our other reason was to check out one of the cavates that Bandelier had made available for visitors.
Hiking down from our trip up to the Talus House and the cavate, we found Cave Kiva that had once been available for visitors but was now closed because graffiti had been repeatedly scribbled on the walls. So sad and wrong. It’s no surprise that modern day Puebloans are concerned about exposing their sacred sites.
The steep trail down featured attractive rocks and impressive thunderheads. The metal handrails along the walkway can be seen here.
I used a hole in the rocks to photograph the dark clouds that were rapidly approaching and threatening us with rain.
The most visually interesting part of the park in terms of the cavates was the Long House, so called because it stretched out for over 100 yards and featured a number of the hand constructed caves. Buildings like Talus House would have fronted each of the cavates. The walls of the houses can still be seen in front.
Looking back. Note the round holes surrounding the cavates. These were used for the support beams on the roofs of the houses.
Some of the building would have been three stories high.
Long House was occupied for 400 years. Imagine what stories each of these cavates would have to tell. We focused our camera on the left one to peer inside…
And saw what appeared to be a threatening bird warning us not to enter. It would take a brave (or foolish) soul to disobey.
We came to a smoother section of Long House where a sign told us there were hundreds of petroglyphs, including turkeys.
Finding them was the challenge. Unlike the petroglyphs carved on rocks with desert varnish that are found throughout the Southwest and have contrasting colors, these were the same color of the light brown tuff they were carved in. With careful perusal on site and even more at home with the photos, they gradually begin to appear.
Follow the outline around and an elongated cat-like face with ears emerges. This may have been a Kachina.There is power here.
Study this for a moment and a horned serpent seems to appear. If so, it could be Awanyu, an important deity of the Pueblo peoples because of its close association with water, always critical in a desert environment.
Looking closely at this, we could begin to understand why the park claimed there are hundreds of petroglyphs on the walls. A snake makes its way up the wall on the right and ends with a rectangular eyed face. Another snake parallels it on the left. Check out the two round circles to the left of the hole and another cat man with a downturned mouth emerges. Not a clue what the petroglyph on the lower right represents. Remember, we can only guess, at best, what the petroglyphs meant to the Ancestral Puebloans.
Just to the left of the cat man was a guy standing on what appears to be a pedestal with his hands up in the air screaming. Mind you, this is all my interpretation, but with all of the snakes crawling around that’s what I would have been doing. This may have been another Kachina. Check out the two carved circles on the middle right and the cat man reappears.
Tail wagging doggy on the left?
And finally, turkeys. There are at least three here. Start with the tail feathers top center. Below and slightly to the right are more tail feathers.
The circle was more challenging but a faint head can be seen on the left and faint tail feathers on the right.
This pictograph was once covered with plaster. It was discovered during archeological work and is now covered in glass for preservation.
The prize among the petroglyphs is this large rendition of a macaw that apparently had its own niche carved out. Imported on foot from Mesoamerica some 1500 miles to the south, macaws became a symbol of prestige among Ancestral Puebloans, especially those at the large Chaco site where the Bandelier Puebloans likely migrated from. (According to oral tradition, the Bandelier Puebloans migrated on to the Cochiti Pueblo on the Rio Grande River in the 1500s, which is where their descendants now live.)
As we hiked down the trail heading back toward the information center, we took a final look back at the tuff cliffs and cavates of Bandolier National Monument. It had been a great visit and we highly recommend that you check it out if you are in the area.. Next up, we will take you to the large Renaissance Festival in Maryland where we were this past week. After that, it will be back to the Southwest.

Weird Trees and Gorgeous Rocks… Joshua Tree National Park

Joshua trees are a bit strange as trees go. They are actually monocots, more closely related to grass than trees. If that seems weird, up until recently they were thought to be lilies, related to onions and other members of the family. The park sign still claims the relationship.

As much as the trees are worth blogging about, we found the rocks of the park even more intriguing.

Massive piles of monzogranite boulders reach for the sky in the park. Originating far under the ground as lava oozing up from the earth’s mantle some 80-100 million years ago, the lava cooled and hardened into a batholith of granite. Nature in the form of earthquakes and water cracked it into rectangular blocks while mountain raising and erosion brought it to the surface. Along the way, erosion also wore the rectangular blocks into the massive rounded boulders that visitors admire today.

This was our second visit to the park. Peggy and I spent a whole day driving 30 miles through the northern portion of it. We stopped a lot.

An information board at the beginning of the park, made the following observation: “Look around you. Perhaps you see a stark land that nature never got around to finishing. Or you may see potential mineral wealth, defense testing grounds, alternative energy sources, or a vast recreational playground. Or maybe you see the desert for what it is— a diverse, thriving, ecosystem.” 

I would add that deserts are a place of rare beauty and endless fascination, the equivalent of any of the other natural wonders we find in the world.  

A quote from Edward Abbey was also included on the board: “It seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life, with a generous gift of space for each herb and bush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock.

This single Joshua tree and sparce plant life backed up by a massive rock monument emphasize what Abby had to say.
A yucca claimed its space on the desert floor.
It featured curlicue fibers peeling off the edges. They are common to yuccas.
Also claiming its space was a cholla and its shadow backlit by the sun. As untouchable as they appear, we found birds nesting in them throughout the Southwest. What spelled danger for most animals (including us), proved to be a safe haven for Curved Bill Thrashers and Cactus Wrens.
This tortoise crossing sign reminded us of how much plants and animals that call desert home have adapted to life in an extreme hot, dry climate. Tortoises, for example, are experts at getting water from plants and conserving what water they get. When water is in short supply, they excrete their urine in a toothpaste-like form and hang on to the water! On a more prosaic note, I wondered how fast they can move. They are turtles after all. I learned that Bertie the Tortoise holds the Guinness record of .6 of a mile per hour. I also learned what a group of turtles are called: A creep. You can challenge your friends with this one.
Careful observation informed us of other desert inhabitants. Something had scratched the ground here. But who— and what for. I noticed something partially buried at the end of the scratch and looked closer…
It was fresh scat filled with berries. When one thinks of buried scat, the first thought that normally comes to mind is a cat, right? That led me to think bobcat. While they are mainly carnivorous, they won’t pass up berries if their favorite food isn’t on the menu. With that in mind, we left thinking it was probably a bobcat that had passed by the night before. That may be older cat-scat just above it. If so, the bobcat was likely marking its territory.
Legend has it that the Mormons making their way through the desert named Joshua Trees after the Biblical Joshua who ‘lifted his arms’ to guide the Israelites. These youngsters ‘raising the arms’ may be sprouting from a fallen tree.
The usual form of propagation is from seeds, however. We saw several Joshua trees sporting seed pods. A freeze is required for the tree to bloom and produce seeds. (Because of the requirement, global warming may endanger the plant. Forest fires have also taken a toll.)
Seed pods. There is one more requirement: Yucca moths.  The tiny, rice-sized insects are the trees sole pollinators and the trees flowers are the sole hosts for yucca moth eggs and caterpillars, thus forming an evolutionary, symbiotic relationship.
While most Joshua trees seem rather skimpy, this one was a beauty. The trees normally grow to be around 40 feet tall and live around 150 years. Giants can top out at over 50 feet and live to be 300. Lacking tree rings, however, age is extremely difficult to determine. Some may be much older.
A forest of Joshua trees.
And now, on to the rocks. This skinny Joshua tree and massive rock seem to be having a conversation.
The most impressive pile of boulders we saw.
For fun, we took a photo of our truck, Iorek, in front of a rock pile. (Iorek is named after the Polar Bear in The Golden Compass. Our travel trailer is named Serafina, after the witch in the movie.) It wasn’t until I was putting together today’s post that I noticed the rock reflection in rear window. What a great optical illusion. It appears to be coming out of the window.
This split rock was the most unusual stand-alone rock we saw.
Holes in the rocks led to some interesting photo ops.
Peggy playing around. Had she been 70 years younger, I can guarantee she would had been crawling through. In fact, there was no guarantee she wouldn’t at 75!
We thought, “bird.”
Close up. Snoopy’s friend Woodstock, perhaps.
A necklace of rock cutting through the granite caught our attention. It was formed after the monzogranite formed and developed cracks. A subsequent flow of molten rock consisting of a mixture of quartz and potassium minerals were forced into the cracks and cooled as lighter colored rocks. When the rocks were exposed at the surface, they broke into blocks somewhat uniform in structure.
As the granite eroded away, it left the harder dike rock on the surface.
Nearby, a lone oak added a touch of beauty. We were surprised to find it here where Joshua trees dominate the landscape.
We were also surprised to find an elephant. Grin. Can you spot its image?
An elephant from our safari trip to Southern Africa two years ago. This is a good place to wrap up this blog. Next up: Bandelier National Monument in New Mexico.
To the Ancestral Puebloans, this was home sweet home.

Petrified Forest National Park Is More than Petrified Wood… Much more

We used to think of Arizona’s Painted Desert and Petrified Forest as two separate units even though they are located next to each other and are part of Petrified National Park: We went to see petrified wood in the Petrified Forest and colorful landscapes in the Painted Desert. In actuality, they are both part of the same geological unit: The Painted Desert. They both display colorful landscapes and they both feature petrified wood. This photo is from one of the overlooks in the Painted Desert section north of I-40. Colorful? Yes. But it also includes chunks and logs of petrified wood. A petrified log can be seen on the lower center left.
This is a section of Petrified Forest south of I-40 known as the Teepees. The colors are soft but close to otherworldly.
Visitors have the option of entering the National Park from its north or south entrance. Peggy and I chose the north which makes a loop north of I-40 through the Painted Desert following the historic Route 66. One of our first stops was at the Painted Desert Inn. It sits above the Painted Desert providing visitors with a superb view of the surroundings. Originally opened by a private entrepreneur in 1920, the National Park bought it in the mid-30s and rebuilt it in Neo-pueblo style using CCC workers.
Fred Harvey took over its management in the 40s utilizing the Harvey Girls to provide service to weary travelers. In 1947, the company’s architect, Mary Jane Colter, was brought on to remodel and renovate the facility. Today, it is a National Historic Site and museum, well worth a visit. The El Tovar Hotel and Desert View Tower of the Grand Canyon are among Colter’s many other notable projects.
A local raven was seeking handouts near the Inn.
I pointed out a nearby lizard and suggested that if he wanted food, he should hunt for it.
He squawked at me. Something about wanting to be paid with in PB&J sandwiches if I was going to use him as a model.
One of our favorite views of the Painted Desert.
Our good friends from Sacramento, Tom Lovering and Lita Campbell, joined us on our visit to the Petrified Forest National Park. Here, they are perched on a 1932 Studebaker that the Park has placed along the Route 66 segment to symbolize the historic journey travelers followed along the route. The old car now provides a photo op for tourists. BTW, Studebaker got his start in Placerville (aka Hangtown), 3 miles from where I grew up in the Sierra foothills, making wheelbarrows for miners seeking wealth in California’s 1849 Gold Rush.
Leaving the north side of I-40, we crossed over to the south side. Our first stop was at the Puerco Pueblo, a village built by Ancestral Puebloans and occupied between 1250 and 1380 CE. The pueblo had over 100 rooms at its peak. Located next to the Rio Puerco (Pig River), it had contacts from throughout the Ancestral Puebloan region and beyond. Artifacts and petroglyphs found at the site and nearby suggest these wide ranging connections.
The best known petroglyph next to the pueblo is a water bird, possibly a white faced Ibis, about to chow down on a frog. The round, white petroglyphs may represent water dripping down from the bird.
Numerous petroglyphs are found at the Petrified Forest’s Newspaper Rock located about a mile away from Puerco Pueblo.
The petroglyphs found at the site Include a wide variety of subjects.
The lower right section of the above series featured a naked man and woman. The ancients appear to have had few of the hang ups with nudity our modern society does. I thought of the woman saying, “Hi honey, I’m home.” As for the guy, apparently ‘size matters.’ We really liked the coyote on the right and immediately thought of Wile E Coyote and the Road Runner. The spiral above is thought to represent the journey of Ancestral Puebloans from the underworld in their search of a permanent home.

Peggy found several petroglyphs she might include in her next word search book— but don’t expect to find the naked couple.
Next we arrived at the Teepee mountains, which I showed in the second photo. The colorful, layered rocks are part of the Chinle Formation deposited during Triassic period between 205-227 million years ago. The colors are determined by minerals in the rocks and the conditions at the time at the time they were deposited. A side road south of the Teepees takes visitors into the Blue Mesa, which provides an up-close perspective on the Chinle Formation. We highly recommend it. The following photos show why.
Multiple colors,
Including white.
And interesting land formations.
Another example.
And tons of petrified wood. Perspective makes this log on a pedestal seem bigger than it is, but it is big! Broken off pieces surround the pedestal.
This brings us to the petrified wood section of our post. I used Tom for perspective in this and my next photo to demonstrate how large some of the logs are.
Tom appears tiny down at the end of this long, petrified log. Also, note the petrified bark that is still on the tree.
This big fellow was making its way down a hill. Timber!
One of the things fascinating about petrified wood is the variety of colors. They are created by different minerals that replace the wood in the petrification process. For example, red, brown and yellow come from iron oxide, white from silicon dioxide, black from carbon, blue and green from cobalt, chrome, and copper, etc.
Not sure what made the holes but look how rich the blue is. You can also see the bark here.
One can wander around for hours admiring the different logs.
There are hundreds of them.
A visit to the Rainbow Forest Museum concluded our visit. This large petroglyph of a mountain lion is one of the museum’s prime exhibits and serves as a symbol of the park. I have a T-shirt with it on the back.
I persuaded Tom to take his photo with the skeletal remains the museum’s phytosaur, a large crocodile like reptile from 225 million years ago. It’s known as Smiley. That’s a wrap for today. Next up: The crazy trees and fabulous rocks of Joshua Tree National Park.

The Pictographs, Petroglyphs, and Pueblos of Canyon de Chelly… Plus The Long Walk

Canyon de Chelly has been occupied for five thousand years starting with various Archaic people. Ancestral Puebloans called it home from approximately 200 BCE to 1300 CE. Hopi lived there after 1300 up until 1700. Navajo people have occupied Canyon de Chelly since. Today, the canyon is owned by the Navajo Tribal Trust and jointly operated as a National Monument with the National Park Service. The photo above shows pueblos left behind by the Ancestral Puebloans (center caves). They are dwarfed by the high cliffs of the canyon. Their position on the cliff shows why they would have been difficult to attack.

The occupation by the Navajo has been interrupted twice. In 1805, Spanish forces under Antonio Narbona, the future governor of Spain’s New Mexico territory, attacked, killed and captured a number of Navajos because they refused to accept Spanish rule.

By the 1860s, the Navajo faced a new threat. American settlers from the eastern US were pouring into the newly acquired territory and the US Government developed a policy to make room for them by ousting the natives. The Navajos would be required to move to reservations, leaving their homelands behind for the newcomers. Not surprising, they refused. So a decision was made to force them out. The US Army under the command of James Henry Carleton ordered Kit Carson to subjugate the Navajo using a scorched earth approach that involved burning their homes, destroying their crops and killing their livestock.

Earlier, in his efforts to subdue the Mescalero Apaches, Carleton had given the following order to his subordinates: “All Indian men of that tribe are to be killed whenever and wherever you can find them. … If the Indians send in a flag of truce say to the bearer … that you have been sent to punish them for their treachery and their crimes. That you have no power to make peace, that you are there to kill them wherever you can find them”.

In 1864, facing starvation, the Navajo capitulated, signed a treaty, and began a forced march during the heart of winter to Fort Sumner’s Bosque Redondo Reservation in New Mexico. The 300 plus mile hike, the Long Walk as it came to be known by the Navajos, left numerous Navajo dead from exposure, starvation, and exhaustion. Bosque Redondo was equally bad if not worse. Food, space, water and sanitation facilities were limited in the extreme for the 8500 Navajo and 500 Mescalero Apache occupants. Furthermore, it was run like an internment camp instead of a reservation. An estimated one quarter of the population died during the four years of the camp’s occupation.

Finally, in 1868, a new treaty was signed with the Navajo that allowed them to return to a portion of their original homelands, including Canyon de Chelly. Today, the Long Walk, like the Cherokee’s Trail of Tears, is remembered by the Navajo an an important part of their history.

it isn’t a history that the Trump Administration wants remembered however. He has ordered the Department of the Interior to take action to ensure “descriptions, depictions, or other content that inappropriately disparage Americans past or living (meaning information like that above), and instead focus on the greatness of the achievements and progress of the American people.

Apparently, Carleton and Carson are not to be disparaged. My bad. History is to be remembered as Trump wants it remembered. George Orwell’s 1984 comes to mind.

If the administration has its way, books and displays like this are to be removed from national parks and monuments. A similar effort is underway at the Smithsonian.

Today, marks the end of my planned series on the Trump Administration’s threat to our national parks, monuments and other public lands. I believe that I have covered his primary focus and actions as they relate to our public lands. Having said that, I’ll still report on major threats as they emerge and, at some point, do a summary of how successful efforts to protect the parks have been.

I also have in mind doing a post on Mt. Rushmore National Monument. The President has repeatedly expressed a desire to have his image added to those of Washington, Jefferson, Lincoln, and Theodore Roosevelt. (At one point, Elon Musk even volunteered to carve it, but I suspect that’s off the table.) My objective is to look at the major accomplishments of each of these men who played such an important role in making the nation what it is today and then comment on how the President goal of Making America Great Again, relates to their accomplishments.

But for now, it’s back to sharing the beautiful and fascinating world we live in while Peggy and I continue to ‘wander through time and place.’

I was reading Baby Blues in the comics this past week and it made me think of this Ancestral Puebloan home and petroglyph in Canyon de Chelly. In the comic, Wanda is tucking her son in and says “Sweet Dreams, Hammie.” He responds, “Can you leave the light on? I had a really scary dream last night.” We can attribute his nightmare to stories his sister Zoe has told him about what hides in his room. Now, imagine you are a young boy or girl and your window opens out on the this creature climbing down the wall. Who needs a monster under the bed or in the closet? We really don’t know the meaning applied to this petroglyph, however. We can only guess. Mine is that the ‘monster’ wasn’t designed to scare children but may have been to discourage enemies from climbing up to the pueblo. If it encouraged children to be good, that was probably okay as well. But again, we can only guess at the meaning. The white dots, BTW, are cottonwood tree seeds. It was ‘snowing’ with them.
The best known pueblo in Canyon de Chelly is named the White House Pueblo for the white color of the upper building. Initially built by Ancestral Puebloans in 1060 CE, they continued adding to it for the next 200 years. It is estimated there were more than 80 rooms when it was finished.
Built on two levels, archeologists speculate that the botton level may have originally reached the upper level. The White House Pueblo is the only place in Canyon de Chelly that visitors can walk to without a guide. Have you spotted the petroglyph? Center on wall beneath the ’snowflake.’
Up close. There are others on the wall even more faint than this one.
A view of the lower level of the White House Pueblo.
Numerous other ruins left behind by the Ancestral Puebloans are found throughout the park. I rendered this one in black and white. The round building in front is a kiva.
Another example.
This ruin featured a prominent swastika. (There is also one on the pueblo I rendered in black and white above.) As I mentioned in a previous post, long before the Nazis adopted the symbol to their cause, it represented an heroic journey, good health, and well being to the Ancestral Puebloans and Navajos.
Peggy was delighted to find a treasure chest of petroglyphs in Canyon de Chelly and searched “high and low’ so to speak for ones she might use in her next word search petroglyph book. I’m not sure this will make it, but you have to admit it’s unusual and perhaps a bit scary. You wouldn’t want one living under your bed.
Speaking of scary, we almost missed these pictograph creatures. They seemed to be hiding in the rock, ready to pounce on us. Talk about Nightmare City. Check out the claws on the horned fellow.
Not as scary but quite interesting. The pictograph figure on the left is the humped back Kokopelli lying on his back and playing his flute. We have numerous depictions of Kokopelli from different petroglyph sites throughout the Southwest but we have never seen him lying down. Given his role in fertility and protecting women in childbirth, it may have something to do with the woman on the right who is in the position that most petroglyphs relate to childbirth. Whatever his role, I would say it’s a hands-on experience. And then there is the snake slithering through the scene…
This scene shows horsemen closing in on a deer. Since the use of horses in the Southwest by Native Americans depended on Spaniards bringing them to to America in the 1500s, these petroglyphs would have been created in the 1600s or later and are likely done by Navajos. I really like the sense of action portrayed by the deer and horses. And their ‘look.’The man on the bottom horse is holding onto the the reins in his right hand. Not sure what he is doing with his left. Waving. I’m surprised he wasn’t shown holding a spear.
These pictographs by Ancestral Puebloans were at least 100 feet up on a canyon cliff. The top left scene shows how hunting was done prior to when horses, bows and arrows were introduced. A throwing stick, known as an atlatl, is being used to throw a spear with greater force and distance than a person normally could throw one. You can see the stick in the Puebloan’s hand. He has hit his target. Ouch. A number of other subjects are included on the panel. I’m intrigued by what looks like a very happy dog in the lower left hand corner complete with ears, nose, eyes, a smiling face and a wagging tale. Surely it’s my imagination.
This large ‘canvas’ was similar to what are know as ‘newspaper rocks’ in Canyonlands and Petrified Forest National Parks. It is filled with petroglyphs showing a variety of animals and people. The lighter figure would have been a more recent addition.
A closer look. Take a moment to explore the variety. Following are more pictographs that caught our attention:
More anthropomorphic creatures coming forward out of the rock.
Birds in a row. Are they doing the one legged turkey hop to Kokopelli’s flute music?
We were interested in how these animals were positioned to walk on the edge of the broken off rock and even more interested in the reddish brown deer between them.
A closer look at the deer.
I’ll close today’s post with another unusual pictograph. Note the man holding up the two posts. Lightning seems to be emanating from the posts, or possibly being attracted to the posts in what may be some type of ceremony. Animals are attracted to the scene while the lighting cuts through a yellow shaman/man. Other men hike up the hill, leaving the area. I guess my comment is: What??? But that’s part of the magic of pictographs and petroglyphs.
Next up: The ever attractive beauty and geology of the Painted Desert and Petrified National Park.

For those of you who keep track, Peggy and I are now back at our home/basecamp in Virginia. We still have several blogs from our journey into the Southwest that I will be posting over the next several weeks as we get ready for another adventure: Leaf peeping in New England, along the Blue Ridge Highway, and at Great Smoky National Park.

Rattlesnakes… Lots of Them: Eek!

The eastern diamondback rattlesnake has been known to grow almost eight feet long.

I’ve have been to Albuquerque, New Mexico several times over the years. One place that I always wanted to go but never managed to was the American International Rattlesnake Museum. They have one of the largest collections of live rattlesnakes in the world. Could it be that whoever I was traveling with didn’t share my enthusiasm?

Peggy, however, is game for almost anything and snake images almost always show up among the petroglyphs that fascinate her so much. So off we went to the museum two weeks ago. 

Peggy even bought a rattlesnake T-shirt from the museum. Is there a message here?

That I have a certain ‘fondness’ for rattlesnakes isn’t news to my blog followers. I’ve had numerous encounters with them over the years and have written about several. I’ve even been known to get down on my stomach when they are crawling toward me so I can get better head shots. (Peggy gets a little ouchy about that.) I suspect my attitude would be considerably different if I’d ever been bitten by one. Rattlesnake bites can be deadly, or at a minimum, extremely painful. It’s not something one wants to test. 

Fortunately, rattlesnakes come with an early warning system. They rattle. The rattles are made up of keratin, that’s the same thing your fingernails are made of. When irritated, the snake vibrates its tail, knocking its rattles together. It makes a very distinctive sound, one you never forget, one guaranteed to shoot your heart rate up faster that a skyrocket on the 4th of July.

Each time a rattlesnake sheds its skin in grows a new rattle. This makes up for ones it has lost. The bigger the snake the bigger the rattle.
The Ancestral Puebloans included a rattle on this petroglyph of a rattlesnake in Petroglyph National Monument, Albuquerque. It’s probably a coyote or a dog beneath the rattler, obviously not worried.

A rattlesnake you see coiled up, rattling its tail, and ready to strike is worrisome, to put it mildly. It’s not a problem, however— as long as you stay clear of its strike zone, which can range from half to two thirds of its body length. For a six foot snake (which is a very big snake), that would be from 3 to 4 feet. If you want to check this out, use a long stick. I have. (Don’t try this at home, kids.)

One you can hear but can’t see is a quantum leap scarier. I stepped on a dead log once ‘that started to rattle’ and found myself an olympic winning 15 feet down the trail before my mind registered snake. There is some evidence that our fear of snakes is instinctive. For example, have you ever come close to stepping on one you didn’t see in advance. Did you find yourself thinking, “snake, maybe I should be concerned.”

Odds are your reaction was more like this guy from another petroglyph at Petroglyph National Monument. Eek!

When I was a Peace Corps Volunteer in West Africa, I had a cat named Rasputin that proved the hypothesis about fear of snakes. I discovered if I took the old fashioned spring off my back door and rolled it toward him, he would leap 6 feet into the air and land on our couch or other piece of furniture well out of reach from the deadly ’snake.’ Being scientifically oriented, I did it 3 or 4 times just to make sure. 

On the other hand, back in California I had a basset hound named Socrates that seemed to counter the theory. I was hiking with him one day at Folsom Lake near Sacramento when I noticed him walk out on to a granite ledge and start sniffing down into the cracks. Suddenly he began barking like the baying hound he was: Loud. Simultaneously, the rock became alive with rattles. Socrates had discovered a rattlesnake den. They can get big, big like in a hundred snakes. Some have even been found with a thousand. Talk about an Indiana Jones’ nightmare…

It was for me, as well. “Socrates, come here!” I demanded. And then again. And again. Each time louder and more desperate. All, to no avail. He just kept barking louder. Damn, that dog could be stubborn. Finally, there was nothing I could do but walk out on the buzzing rock, grab him by the collar, and bodily drag him off. I was lucky I didn’t pee my pants. Had I not immediately put his leash on and pulled him away, he would have gone right back to barking up a storm at the irritated, poisonous serpents.

Here are a few facts on rattlers: 

  • There are between 32 and 45 species of rattlesnakes, many of which live in the Southwest where Peggy and I just spent five months wandering around outside. They can range in size from 15-24 inches like the pigmy rattlesnake of the South up to close to 8 feet like the eastern diamond back. Peggy’s brother John and his wife Frances found one of these monsters in their backyard in Texas. 
  • They are superb predators. While lacking an outer ear that would allow them to hear their prey, they have an inner ear that allows them to sense the vibrations of a prey’s movements. Vertical pupils aid in depth perception for strikes and pits on the side of their faces serve as heat detectors which allow rattlers to see their prey in pitch dark situations. Being members of the pit viper family they have large, sharp, hollow fangs that are designed to deliver venom. The fangs fold back against the rattlesnake’s mouth when not in use.
  • And finally, here’s a long word for you to impress your friends with: ovoviviparous. It means the rattlesnake mommy hatches her eggs inside of her body and her babies are born alive, ready for action as soon as they can bite their way out of the protective sack they are born in.

And now for a few of the photos we took at the museum.

The museum had a book of Gahan Wilson cartoons on snakes.
One way to recognize a rattlesnake, beside the obvious rattles, is by the distinctive shape of its head, which it shares with other pit vipers.
Okay, a bit scary.
Beautiful brown.
Coiled and ready.
Note the vertical pupils.
Moving along.

Plus a couple of snakes that weren’t rattlers, but we were fascinated by their colors.

An albino milk snake.
And this striking green snake which, as I remember, was a python. (Don’t quote me.)
And finally, Peggy and I in front of the museum, which is located in the historic section of Albuquerque. Not sure why they chose the skull and string of peppers instead of a rattlesnake but they are symbols of New Mexico. Next up, we will conclude our posts on Canyon de Chelly National Monument.

Canyon de Chelly National Monument: Beauty, Culture, and History… Part 1

Canyon de Chelly (pronounced shay) is famous for its spectacular canyon views and ancient history. Today, the national monument is jointly operated by the Navajo Nation (who owns the land) and the US Government.

Peggy and I have visited Canyon de Chelly twice, first in 2019 in October and then this year in June. In 2019 we drove the South and North Rim roads and then explored the inner canyon. The two roads are open for anyone to drive. The tour of the inner canyon requires that visitors have a Navajo Guide along. Our friends Tom and Lita from Sacramento joined us in June where we did the inner canyon tour but, unfortunately, didn’t have time for the rim drives. I’ve opted to use photos from both visits.

We are going to feature the scenic side of the canyon today. Next week, we will look at the canyon’s ancient history in terms of pueblos that the Ancestral Puebloans built in the canyon and petroglyphs and pictographs from both the Puebloan and Navajo time periods. I also want to discuss the Long Walk where Navajo were forced to abandon their homelands to settlers pouring in from the eastern US. It’s the type of story that President Trump is now trying to ban from national parks and monuments because it detracts from his concept of a great America.

But first, the beauty.

We admired this prominent landmark from inside the canyon in both the summer and fall. First summer…
The long view. Not bad, huh.
And now for fall.
Both summer and fall were beautiful. Do you have a preference? I confess to being taken more by the contrast created by the fall foliage, but it’s close.
Fall doesn’t get much more colorful than this.
I thought green fit this tree well, however. The stripes on the wall are created by minerals left behind by flowing water.
Here, they ‘painted’ an unusual picture worthy of a modern art gallery.
This was one of many rock monuments found in the canyon. Note the petroglyphs on the bottom. It is no surprise that the Navajos and Ancestral Puebloans selected this dramatic rock as a canvas.
Looking up provided this view of an arch.
At first, I felt that the tracks left by all of the visitors took away from the beauty. There were bunches. But then I found the shadows created by the sun made them photogenic. Four wheel drive was essential.
Another example.
Rocks breaking off the walls add to the beauty and mystique of the canyon. It takes little imagine to turn these into a tree.
Speaking of imagination, mine turned this old car into an alligator disguised as a flower box lurking in wait for a tourist dinner. ( Admittedly, my imagination can be a bit wild at times.)
Navajos live and farm in the canyon. Some offer horse rides. Our guide on the fall trip raised horses and rented them out for Western’s. He had also performed in some of the movies.
The Navajo raise sheep up on the rim of the canyon.
Driving the south and north rim roads of Canyon de Chelly provides a totally different perspective on the canyon and its amazing rock formations.
Close up.
There was no end to the variety of patterns in the rock.
Sometimes it looked as if the rock was melting.
The most recognizable monument in Canyon de Chelly is Spider Rock, a 750 foot (230 m) spire that is said to be the home of Spider Woman, an important figure to several different Native American tribes. To the Navajo, she is a helper and protector. It’s also said that they tell their children that she will catch them in her web and eat them if they are bad. Way to go Spider Woman. Grin. You can see one of the canyon’s roads working its way up the canyon.
A close up of Spider rock.
More of the canyons interesting rocks lit up by the late afternoon sun.
A last view of the inner canyon in fall.
We’ll wrap this post up with a photo of sunset from the canyon rim.
Our next post will be on the pueblos and petroglyphs of Canyon de Chelly.
I may, however slip in a quick post on one of my favorite subjects: Rattlesnakes.