“The sea is high again today, with a thrilling flush of wind. In the midst of winter you can feel the inventions of spring.” Lawrence Durrell
“Yes, it’s an excellent book,” George Yohalem responded to my question. “Just don’t tell your mother I recommended it.”
George, along with his wife Betty, owned the Pioneer Bookstore in Placerville, California. It was a favorite hangout of mine during my senior year in high school and George had become something of a mentor, helping to guide my 17-year-old mind to a number of good books. He and his wife had retired to the foothills of California after long careers in Hollywood where George had worked as a screenwriter/producer and Betty an actress.
The book I had picked up was “Justine” by Lawrence Durrell. The above quote is the first line in the book and Durrell is describing Corfu. He had lived there from 1935-40 and fallen in love with the island. “Justine” became my initial venture into serious literature and definitely my first venture into erotic literature… thus George’s caution. The book transfixed me, not so much by the sex (well, maybe a little) but by the sheer mastery of the language. I was picked up and dropped into Corfu and then Alexandria… the main setting for “Justine” and the other three books in the Alexandria Quartet. It was magic.
Durrell wasn’t the only author to find Corfu a touch exotic. Homer had the ship wrecked Odysseus land on the island during his long journey and Shakespeare used it for the setting of Prospero’s magical realm in The Tempest. In Corfu’s long history Corinthians, Romans, Venetians, French and English had occupied the island as a gateway to both the East and West. At one point, the feared pirate Barbarossa laid siege to Corfu and succeeded in enslaving a substantial portion of its population.
Corfu’s location in the Ionian Sea sets it apart from its Greek cousins Santorini and Mykonos in the Aegean Sea. We found no more sparkling white washed buildings perched on treeless terrain. Corfu is an island covered with over a million olive trees and its buildings are multi-hued with a well-lived-in look. Two massive forts serve as bookends for its main town, also known as Corfu. We wandered through its winding narrow streets, visited an Asian museum housed in a colonial British mansion, checked out a Greek Orthodox Church, and climbed the steep hill to the top of the Old Fortress overlooking the town.
There are some things that I am almost guaranteed to photograph when I travel…
A BREAK… A few days ago I spent three hours on an Internet queue hoping to get two of the 40,000, 2013 Burning Man tickets made available to the general public. I succeeded! Once again Peggy and I will be attending this unique event in the remote Nevada desert. In celebration, I will post some of my favorite Burning Man photos on my next blog. If you have been following me for a while, some of the photos will be familiar.
In the blog after, I will return to our exploration of the Mediterranean with one of my three favorite stops: Dubrovnik in Croatia. You won’t want to miss this beautiful walled city.
6 thoughts on “Corfu: Are We Still in Greece…? The Mediterranean Cruise”
Wohoo! Congrats on getting the tickets! Beautiful fruit from the market. Is it all local?
Yep, another year at Burning Man! Yes, the fruit was local… but for the real market… huge beyond my wildest imagination, you’ll have to wait for Barcelona, Tash.
Such a difference from the whiteness of Mykonos… and you had indeed a very full schedule! What was amazing to me was to find there is an Asian museum there. And yes, that lamp post was….weird. 🙂 But your photo of “Kathi” in the tunnel was superb! Job well done.
Thanks Koji. Wasn’t that lamp post something else.
So many great photos here Curt.. I too would have really enjoyed the Old Fort.. The textures of all that stone would have had my camera snapping like crazy..tell Peggy that pigeon shot is priceless 🙂
I passed your message on to Peggy. Like you, I really liked the pigeon shot. As for the camera… it’s a good thing we have gone digital. I can’t imagine the costs for developing film on the trip.