It was in the fall of 1915 that I first had the idea that what I had been taught was of little value to me except for the use of my (art) materials as a language… I had been taught to work like others and after careful thinking I decided I wasn’t going to spend my life doing what was already done. –Georgia O’Keeffe in her autobiographical book on her art.
Georgia is on my mind. I had stopped off in Reno to check out the city’s River Walk on my road trip down Highway 395 this past summer when I saw a poster that the Nevada Museum of Art was featuring an exhibit on Georgia O’Keeffe titled Living Modern. There was no question in my mind. I had to go. O’Keeffe had been a favorite artist of mine ever since the 60s when I had been a student at Berkeley and first encountered her paintings of flowers. The exhibit in Reno was excellent, including several of her well-known works, but it also looked at her life, right down to her unique style of dress and the camping gear she carried when she made her painting expeditions into the remote parts of New Mexico.
One thing that surprised me at the museum was the number of photos of O’ Keeffe. Starting with her husband, Alfred Stieglitz, and including her friend, Ansel Adams, a number of world class photographers were enticed by her unique looks. It might be argued that she was the world’s first super model.
My visit to the Nevada Museum of Art started me thinking about our planned visit to the Southwest this fall. We would be traveling through O’Keeffe Country, as they call it in New Mexico. I —along with Peggy’s enthusiastic support— decided to make where she lived and what she painted one of the focuses of our trip, which we did. We stopped by the O’Keeffe Museum in Santa Fe, went to Taos where she was first introduced to New Mexico by Mable Dodge Luhan, and then visited her homes in Abiquiu and Ghost Ranch. Today, I am going to start at Taos with a post on the Rancho de Taos and the Church of San Francisco de Asis. Its considered a must stop for photographers and painters who visit the town.
Naturally, Peggy and I had to wander around Rancho de Taos and take our own photos. I included one of mine at the top of the post. Here are a few more.
Next Post: I’ll write about the unusual patron of the arts, Mable Dodge Luhan, who brought the likes of Georgia O’Keeffe and D.H. Lawrence to Taos. Peggy and I will visit the Taos Pueblo that was also painted by O’Keeffe and photographed by Ansel Adams.