Being eager to begin our exploration of Venice we picked up a water taxi from the cruise port. It retraced our earlier route from a sea-level perspective and deposited us near a large statue of Victor Emmanuel. He served as the first king of Italy when the various Italian city-states were united in the mid 1800s.

I took this photo of King Emmanuel charging into battle with his sword raised and horse’s tail flying.
In addition to an imposing horse and Victor, the statue features Venice, represented as a woman, and St. Mark, represented as a winged lion, book-ending the monument. On one end, the lion bites through the chains of Austrian oppression while Venice looks on in a tattered dress with one breast hanging out; on the other end he roars in victory and Venice is fully clothed in an expensive dress.

While St. Mark the lion chews through the chains of Austrian oppression,Venice looks depressed and disheveled in this photo of the Victor Emmanuel statue in Venice. (Photo by Peggy Mekemson.)
St. Mark, with his representational lion, is the protector of Venice. The lion can be found almost everywhere. Mark, of Matthew, Mark, Luke and John, supposedly came through the region when it was a swamp and gave his blessing. This justified two Venetian merchants turning into grave robbers and stealing the body from Alexandria in 828 AD. They slipped Mark into a pork barrel for transport. Moslems consider pork unclean so the barrel was unlikely to be checked by the local officials.
Mark made it safely to Venice in his smelly container, was presented to the Doge of Venice, and was subsequently buried under what would become St. Mark’s Basilica located on St. Mark’s Square, which was our objective for the day.
Along the way we would pass by the Bridge of Sighs and the Doge’s Palace. We would also walk on water. Actually we walked on tables that are placed in the square to help people avoid the Adriatic Sea, which is a regular visitor. Between Venice sinking some nine inches per century, high tides, and global warming, floods have become a serious problem for the city.

Peggy, Kathi Saage and Frances Dallen pose in front of the Bridge of Sighs. They aren’t sighing but they are cold. A gondolier lurks in the background. I suspect he was cold as well.

The Bridge of Sighs was so named because prisoners, condemned in the Doge’s Palace, could have their last look at freedom as they crossed the bridge from the Palace to the prison. Supposedly they sighed. It took a poet, Lord Byron, to give the bridge its name.

The Doge’s Palace once served as the center of government for Venice and was home of the Doge, the most powerful man in Venice at the time and therefore one of the most powerful men in the western world. Today the palace is a museum filled with magnificent art. (Photo by Peggy Mekemson.)

St. Mark’s Basilica, located next to the Doge’s Palace is Byzantine in appearance. (Photo by Peggy Mekemson)

An evening view of the colorful St. Marks Basilica in Venice. The bronze horses on the upper right were stolen from Constantinople during the Fourth Crusade when Venice was supposed to be helping Constantinople, not plundering it. But then, if your church is built on the stolen bones of a Saint, why not? (grin)

The Campanile is a prominent St. Mark’s Square and Venice landmark. In 1902 it came tumbling down and had to be replaced.

This clock tower is another well-known land mark in St. Mark’s Square. Note the winged lion and the digital clock with Roman Numerals. The bronze bell ringers on top and the astrological clock at the bottom are also impressive.

As I mentioned, Venice is subject to frequent floods. Global warming has added to this problem. This shot, taken just below the Clock Tower in St. Mark’s Square, shows people using the table walkways and walking through the water.

I’ll close with this flood photo I took in St. Mark’s Square that reflects both lamp posts and walls located in the Square.
NEXT BLOG: The striking and practical canals of Venice.