This boat with its brightly colored and patterned balls may be my favorite piece in Chihuly’s collection. I say ‘maybe’ because how do you choose? I also love the reflection.
I missed my annual art-fix at Burning Man this year since I was out on the trail. Peggy and I made up for it when we traveled to Washington and Northern Oregon after we came out from our 50-mile backpack trip in the Three Sisters Wilderness. In addition to checking out the Colombia Gorge, disappearing into Powell’s Bookstore in Portland for three hours, visiting with our niece Christina and her partner Dustin in Tumwater, and driving through Cascades National Park, we stopped off at the permanent Dale Chihuly exhibit in Seattle. We both love his inspired glass work. The exhibit, located at the base of the Space Needle, has been on our bucket list for several years.
The Seattle Space Needle provides a backdrop for Chihuly’s sun sculpture.
I decided to provide a quick break from my Pacific Crest Trail series today to focus in on Chihuly’s art. He has been designing and producing blown-glass sculptures since the 60s and is known for his creativity and large pieces. He has also produced some lovely smaller work. Being blind in one eye and limited by an old shoulder injury, he now works with a team in producing his magic. For the most part, I’ll let his art speak for itself in this 2-3 part series. When I am finished, I’ll return to featuring my PCT adventure.
Peggy poses in front of the sun sculpture. Given her often wild, curly hair, she related well to this piece.
Here, the sun sculpture sets off Chihuly’s Glasshouse.
The Glasshouse contains this magnificent sculpture.
It is one of the largest hanging sculptures in the world. I’d love to see it at night.
A close up of the flowers in Chihuly’s Glasshouse.
A number of large sculptures are featured in the exhibit. This one, located inside, reflects the ocean and includes sea life.
A closeup of the sea life.
Outside, Peggy and I found this tall green sculpture…
A red sculpture spouting what looked like horns to me.
Here, the ‘horns’ are shown more clearly. I could imagine them playing beautiful music!
A purple sculpture reminded me of sugar crystals forming on a stick.
Chihuly vowed to use every color available to him in his Macchia series.
A close up I felt was ‘artsy.’ (grin)
Three other pieces in the Macchia series.
One room was devoted to what I consider a sculpture of a riotous garden. Or maybe it was an altar to the yellow and red creature. Chihuly often repurposes his art in various exhibitions, recombining it in creative ways to fit into the environment. I liked the way he uses reflections to enhance his work. The boat at the top is an excellent example.
Another view of the ‘garden’ from the side.
And from the opposite end.
Starting with a glass ceiling lit from above and then placing his art on top of the glass, Chihuly created what he calls his Persian glass ceiling. The results were stunning.
A whole room was covered by the celling done in segments.
This fun piece was created by standing on a step-ladder and blowing glass. When the glass reached the floor it created the globular bottoms for the forest of glass. Once again, reflection is used to magnify the effect.
I’ll conclude today with another boat sculpture. This one backed up to the boat sculpture I featured at the beginning. I don’t think that Chihuly could have fit anymore into this boat.
NEXT POST: Some really incredible chandeliers plus more of Chihuly’s colorful ball sculptures.